Percy Hall

Grand March es una composición original que puede utilizarse en concursos, conciertos o en alguna ocasión digna para una procesión. Las exigencias técnicas y los rangos de todos los instrumentos son m...

Esta es la breve historia de las actividades que tienen lugar en un entorno rural un domingo de verano por la tarde. Las familias asisten a un servicio religioso matutino y luego comparten una activid...

Stephen Foster fue el creador de obras que se convirtieron en verdaderas canciones populares americanas. Se adaptan especialmente bien a los jóvenes instrumentistas de metal, como muestra este conjunt...

This arrangement was designed for Middle School and easy High School use in situations where there are no (or few) color instruments such as oboe, bassoon, bass clarinet, tenor and baritone saxophones...

Esta conocida canción navideña americana es apropiada tanto para programas de Navidad como de Acción de Gracias. Percy Hall ha arreglado eficazmente esta querida melodía para que sea accesible a los j...

Esta conocida canción navideña americana es apropiada para programas de Navidad o Acción de Gracias. Percy Hall ha arreglado eficazmente esta querida melodía para que sea accesible a los jóvenes intér...

A fun and enjoyable introduction to Irish 'Jig' style and 6/8 meter, this is a great repertoire addition for advancing players. While staying in first position, it offers challenges of hooked bowing,...

Bring Teddy Roosevelt, an American icon, to life with this original work by Percy Hall. Musically evocative of Roosevelt, his Rough Riders, and their exploits in the Spanish-American War, it is an exc...

Este arreglo ha sido diseñado para su uso en la Escuela Secundaria y Bachillerato en situaciones en las que no hay (o hay pocos) instrumentos de color como el oboe, el fagot, el clarinete bajo y los s...

I. Nobody Knows the Trouble I've Seen, II. I Couldn't Hear Nobody Pray; A legato first movement is beautifully harmonized in the key of A-flat at a slow tempo. The second movement moves a little faste...

I. Steal Away, II. Little David Play Your Harp; Starting with a beautiful legato melody in 4/4, this work modulates from F to A-flat before changing to an up tempo in 2/4 that is light and lively. Com...

I. My Lord, What a Mornin', II. King Jesus is a Listenin', III. My Lord Delivered Daniel; Class C' high school medley of three spirituals in F A-flat and B-flat. Solos in all three parts. Ranges are e...

Class 'B' Viola quartet based on Concerto in D Major for Four Violins by Georg Phillip Telemann. Here it has been moved to G major for the viola and places equal demands on the first three parts while...

A fun and whimsical piece that gives slurred eighth note passages to all parts, but still keeps third and fourth mostly under the break. Written in the keys of C and F, there are a few accidentals in...

I. Meditation, II. Whimsical Dance: All four parts solo in the first 4/4 legato movement. The third and fourth parts stay in the chalumeau register throughout. The second movement is a light, fast 2/4...

I. Minuet, II. Gavotte, III. March. Easy H.S. trio for Violin 1, Violin 2 (opt. Viola), & Cello (opt. Bass). The Minuet is in 3/4 in the key of G major. Gavotte is in cut time in the key of g minor. T...

G. B. Sammartini (1705-1775) was known as St. Martini of Milan to differentiate him from his brother Giuseppe who worked in England. This is characteristic writing for strings and an introduction to t...

Bring Teddy Roosevelt, an American icon, to life with this original work by Percy Hall. Musically evocative of Roosevelt, his Rough Riders, and their exploits in the Spanish-American War, it is an exc...

Class C' high school contest trio for alto saxophone with an optional tenor sax part for the third player. With score.'

Class C' high school trio for alto, tenor, and baritone sax. Specifically written to allow practice on legato style playing, the work is in 3/4 with several tempi. With score.'

Easy Class C Jr. high (AATTB) with optional 3rd alto for tenor 1.

Class C' flute work offers independent voices, legato and marcato style playing in the key of E-flat. Meter stays 2/4 throughout, but the tempo changes. With score.'

Three variations in E-flat and F, this work uses 4/4 and 3/4 meters. Easy ranges and rhythms make this an ideal teaching piece. With score.

Starting with an andante section, the variations go through scherzo, lyrical legato, maestoso marcato and scherzo to end. All in 3/4 meter, there are four tempo changes. Written in B-flat, E-flat and...

A delightful work in cut time, the technical demands and ranges are appropriate for the younger performer. Written in B-flat and F with some tempo variation, this is ideal for young contest. With scor...