Philip Glass

String Quartet No. 3 'Mishima' arranged for the Dublin Guitar Quartet by Dave Flynn. The music orginates from the soundtrack to the 1985 film 'Mishima: A Life in Four Chapters'.

The second string quartet by Philip Glass is a lyrical, almost romantic piece with strong prominant melodies and deceptively simplistic arrangement that reflects his pioneering minimal compositions. T...

Full score for Philip Glass's Brass Sextet.

Orbit is a work composed by acclaimed minimalist composer Philip Glass for Solo Cello. Orbit was commissioned by Damian Woetzel and premiered on the 2nd of April 2013, in a performance by cellist Yo-Y...

This piece was composed by Philip Glass in 1968. Within it the player performs '1+1' by tapping the table top with his fingers or knuckles.

This work - in three parts for percussion quartet - was commissioned for Third Coast Percussion.

The Windcatcher was originally written for Flute and Piano intended for an uncompleted short film project, and was later transcribed as this Saxophone Sextet arrangement. The set of parts for 2x Sopra...

An instrumental movement by Philip Glass from his opera Einstein On The Beach in Glass's trademark minimal style. This short interlude is the second of five Knee Play pieces used to punctuate the Oper...

An opera in four acts for ensemble, chorus and soloists in full score.

This is the Violin Solo Part of Philip Glass's wonderful Violin Concerto No. 2 'American Four Seasons'. The piece was commissioned by Toronto Symphony Orchestra and London Philharmonic Orchestra, amon...

The Light is a portrait in music of the scientists Albert A. Michelson and Edward W. Morley and their studies of the velocity of light through their memorable experiments, which concluded at Case West...

Einstein on the Beach was a seminal work of opera that broke all the rules, being non-linear, non-narrative, episodic, dreamlike and five hours long. A collaborative creation between Glass and theatri...

Another Look at Harmony is a project started in 1975. The approach has been to link directly rhythmic and harmonic structure. In doing so, easily audible root movement (chords or 'changes') was chosen...