Rebecca Clarke

A collection of six pieces for the viola - the instrument which made Rebecca Clarke a well-known name. The pieces aren't too difficult (most being suitable for around Grades 6-7) and several would mak...

Clarke's duo is in two contrasted movements and was originally written as a concert piece for the composer to play with the English cellist May Mukle.

For viola and piano. This piece is one of the finest compositions for viola by one of the instrument's greatest players. It is luxuriant in melodic inventions and startlingly beautiful in its instrume...

This volume contains all of the shorter pieces for violin and piano, comprising new editions of 'Chinese Puzzle' and 'Midsummer Moon' and the first publication of 'Lullaby', all edited from materials...

The edition is part of the ABRSM syllabus (grades 6-8).

This collection includes all the songs with piano published by OUP during the 1920s and 30s, plus eight songs never before published. The songs are extremely varied, and the piano partners the voice t...

First performed at the Wigmore Hall in 1921, Rebecca Clarke’s Trio has good claim to be considered her masterpiece. This expressive and emotionally complex score is one of the outstanding utterances i...

Composed in 1941, this is the first publication of this work.

Taken at a slow processional tempo this work has a predominantly canonic texture. The syncopated passages are at once sombre and sensual, and the balancing homphonic phrases achieve real power. A shor...

This is one of Clarke's many pieces on love, and one of the best. It combines the English modality of earlier times with foretastes of the adventurous chromaticism of her later work. It is a lovely pi...

This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effects.

This is an appropriately aching setting of Sir Philip Sidney's poem of unending desire and longing. There are gorgeous chromatics and enharmonics and a masterful use of a triplet pattern which becomes...

Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and vivid word-painting. Th...

Music, when soft voices die combines aspects of nineteenth-century English pastoral style with some of the tonal adventurousness of Vaughan Williams's Shakespeare settings. This is an exceptionally be...

For unaccompanied SATB to words by Thomas Campion. This is a lilting take on the Elizabethan lute-song full of smooth Stanford-like nineteenth-century harmonies, exquisitely tempered with modal effect...

for unaccompanied SATB Weep you no more, sad fountains is a modern take on the Elizabethan lute-song, integrating the characteristic alternations of minor and major, fondness for cross-relations, and...

For unaccompanied SATB to words by Tennyson.

Now fie on love is a rollicking glee with all the usual imitative points and a somewhat unusual allotment of brawny sarcasm. It makes an effective encore.

For TTBB unaccompanied

He that dwelleth evokes Holst and Vaughan Williams in their more visionary modes. This is especially true of the opening and closing passages with their gently bitonal effect that surrounds the highly...

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