Richard Strauss

In the summer of 1888, while also working on his tone poem Don Juan, Richard Strauss composed this brief Andante for his father, Franz Strauss, a member of the Munich Court Opera and one of the greate...

Der Zweikampf (1884) "El Duelo" ha sido editado por Chris & Frances Nex y publicado en tres versiones: - Una Reducción para Piano por Chris Nex, incluyendo partes solistas para Flauta y Fagot (C839)....

'Oboe Concerto 1945, inspired by an American soldier, (oboist from Chicago)' - was what Richard Strauss noted down. And the oboist and soldier with the American occupation John de Lancie had indeed as...

Gesang und Orchester / Streicher / Oboe und Orchester

Richard Strauss compuso su Concierto para trompa n.º 1, op. 11, entre los años 1882 y 1883. La obra, que compuso con tan solo dieciocho años y dedicó a su padre, Franz Strauss, uno de los trompistas m...

Richard Strauss compuso su Concierto para trompa n.º 1, op. 11, entre los años 1882 y 1883. La obra, que compuso con tan solo dieciocho años y dedicó a su padre, Franz Strauss, uno de los trompistas m...

Richard Strauss (1864-1949) compuso su «Symphonia Domestica», op. 53 (TrV 209) entre 1902 y 1903, creando uno de sus poemas sinfónicos más amplios y personales, un retrato ricamente orquestado de un d...

Shortly after the Second World War, Richard Strauss, then 80 years old, had remained safe in his villa in Garmisch, though cultural life in Europe had come to a complete standstill. The American occup...

En sus composiciones, Richard Strauss demuestra su profundo conocimiento del carácter de la trompa romántica. Alcanzó su mayor éxito en este sentido con su primer concierto para trompa, que -junto con...

Richard Strauss composed his second horn concerto about 60 years after his first horn concerto, having recently considered that his actual creativity had come to an end with his opera Capriccio. The l...

Richard Strauss was aware (especially following the success of his 'Don Juan') of his reputation and above all of his 'value' as a composer, which led him to rewrite several of his successful works by...

Strauss had originally intended that Don Quixote always be performed, if possible, together with Heldenleben, “since Don Q. in particular is only fully comprehensible alongside Heldenleben.” To date,...

Richard Strauss war die französische Fassung seiner Salome besonders wichtig. Für den kongenialen Text von Romain Rolland komponierte er umfänglich die Gesangslinien um. Die neue Fassung gilt als Unik...

When the 24-year-old Richard Strauss, assistant conductor in Munich, began the composition of his third tone poem in the summer of 1888, he saw himself close to the aspiration prescribed by his mentor...