Partituras de Robert Schumann

The high opus number suggests that it is a late work, yet in reality the work comprises twenty single movements which were composed 10 to 15 years before publication. This means that they were written...

The most important source for the fundamentally revised edition is Schumann's hand copy. The poetic motti that Schumann noted at the end of the autograph are reproduced in the appended remarks.

Composed in Vienna in 1838 along with several other shorter pieces, Schumann's Arabesque has found a permanent place in the general piano repertoire. It may owe its lightness and grace to Schumann's u...

Who was 'Pauline, Countess of Abegg', the dedicatee of the first edition? Nowadays it is known that the matter revolves around a romantic mystification of the name of Meta Abegg, a friend from Schuman...

With humor, 'slow and tender, 'extremely brisk': the very expression marks of the op. 12 'Fantasy Pieces' illuminate their musical universe, a kaleidoscope of ideas and moods. Our revised new edition...

La preocupación de Robert Schumann por crear música valiosa e idácticamente significativa para niños y jóvenes no se limitó al mundialmente famoso Álbum para jóvenes op. 68 para piano (1848). Además d...

Urtext for practical use based on the New Schumann Complete Edition Aunque Robert Schumann era un apasionado de la interpretación a cuatro manos, sólo escribió unas pocas obras para piano a cuatro man...

originally for Horn and Piano.

Adagio und Allegro, Stücke im Volkston op. 73, 70, 102

Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived a...

originally for Oboe and Piano.

Robert Schumann escribió sus Fantasiestücke op. 73 para clarinete y piano en dos días de febrero de 1849, y la primera interpretación por Clara Schumann y el clarinetista de Dresde Johann Gottlieb Kot...

originally for Oboe and Piano

Originally for Clarinet and Piano, Robert Schumann's deep yet delightful set of three Fantasiestücke, op. 73 has long been a staple of the repertoire, with transcriptions occasionally seeping into oth...

The composition cost him his sleep. In October 1842, when Schumann had finished his piano quintet in a short period of time, he was physically and emotionally drained. The work in no way reflects this...

'In the evening we played Robert's E-flat major Quartet for the first time ... and I was once again truly delighted at this beautiful and so youthful work', enthused Clara Schumann in 1842. In prepara...

No romantic poetry and no concrete fairytale figure occasioned Schumann to write this composition. Today, we can assume that the title of the pieces, originally entitled 'Romances', was merely suppose...

Robert Schumann escribió sus Fantasiestücke para clarinete y piano en dos días de febrero de 1849, y la primera interpretación por Clara Schumann y el clarinetista de Dresde Johann Gottlieb Kotte tuvo...

In 1849, Schumann gifted chamber music works to three wind instruments: the clarinet with the 'Drei Fantasiestücke' op. 73, the horn with the Adagio and Allegro op. 70, and the oboe with these 'Drei R...

originally for Horn and Piano.

The edition is part of the Trinity syllabus 2007 (grade 8)

Although Schumann's first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets op. 41 in a minor, F major and A major were written in...

The circumstances in which these poetic 'Soirée Pieces' (thus their original title) came into being are quite surprising. In 1849 Dresden was seized by violent political turmoil that ultimately forced...

The famous, wonderful first of Schumann's three late violin sonatas, that in a minor op. 105, was written in just a few days in September 1851. In regard to publication of the present edition, violini...