Rosephanye Powell

Based on a Nigerian folk song, this exciting a cappella work features layered repetitive patterns over African percussion. Ideal for many types of programs, this flexible work can also be used as a pr...

Commissioned in celebration of Philip Brunelle's 40th year as organist/choirmaster of Plymouth Congregational Church, Rosephanye Powell once again displays her exhilarating craftsmanship. The joyful r...

The traditional sound of the male glee club is at the forefront with this brilliant setting of a text by Robert Louis Stevenson composed for the 125th anniversary of the University of Pittsburgh Men's...

The traditional sound of the male glee club is at the forefront with this brilliant setting of a text by Robert Louis Stevenson composed for the 125th anniversary of the University of Pittsburgh Men's...

Now available for men's voices! Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, layered...

Now available for men's voices! Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to shalom in Hebrew or jambo in Swahili. This original work features percussion, layered...

First written for SSAA voices and commissioned for the ACDA National Convention in New York, Rosephanye Powell brought her classic style to this beloved spiritual. Husband William has revoiced it for...

First written for SSAA voices and commissioned for the ACDA National Convention in New York, Rosephanye Powell brought her classic style to this beloved spiritual. Husband William has revoiced it for...

The Word Was God by Rosephanye Powell, arranged by William Powell for TTBB choir.

The Word Was God by Rosephanye Powell, arranged by William Powell for TTBB choir.

The SATB setting of Non Nobis Domine has become one of Rosephanye Powell's most celebrated works. The driving energy and ostinato rhythms are classic elements from Rosephanye's pen. Her husband Willia...

Commissioned by the American Guild of Organists for their 2012 convention, here is the first major work from the pen of Rosephanye Powell. With text from the Book of Jeremiah, the four movements follo...

Commissioned by the American Guild of Organists for their 2012 convention, here is the first major work from the pen of Rosephanye Powell. With text from the Book of Jeremiah, the four movements follo...

The Colorado all-state treble choir stood outside their hotel rooms, many stories high, singers at all levels, singing this arrangement into the attrium in the center. The sound was compelling and so...

This thoughtful arrangement of the well-known spiritual 'Somebody's knockin' at yo' do' was originally published as part of the collection Spirituals for Upper Voices. The two vocal lines are eminentl...

This thoughtful arrangement of the well-known spiritual 'Somebody's knockin' at yo' do'' was originally published as part of the collection Spirituals for Upper Voices. The two vocal lines are eminent...

Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to 'shalom' in Hebrew or 'jambo' in Swahili. This original work features percussion, layered vocal patterns, and a joyfu...

Sorida is a term of greeting in the Shona language of Zimbabwe, Africa, similar to 'shalom' in Hebrew or 'jambo' in Swahili. This original work features percussion, layered vocal patterns, and a joyfu...

Adapted from a Bantu folksong, this gently teasing song translates as I love you, but you do not love me. How is that? If you do not love me, you had better tell me so. Performance Time: Approx. 2:50....

This West African folksong is arranged as a call and response easily mastered by all choirs. Suggested African percussion is included and could be enhanced with body percussion and simple movements.

This Caribbean folk song is an irresistible change of pace that makes light of man's inability to please a woman. Features a soloist and optional Latin percussion. In the interest of fairness, an SSAA...