Tarik O'Regan

Counter-Tenor/Tenor/Harp Darkness Visible interlaces two texts born of the Commonwealth of England (1649-1660). John Milton, who had been in the service of the Parliamentary cause, and Henry Vaughan,...

Rakugo, or 'fallen words', is a traditional form of Japanese entertainment performed by a lone, seated storyteller (rakugoka) with very few props, if any at all. The complications of each story - its...

Tarik writes: The word colimaçon is French for the spiral form of a snail's shell and is most commonly found in the form, escalier en colimaçon, meaning a spiral staircase. Having first come across th...

Postlude is taken from the larger work, Threshold of Light, for SATB chorus, brass quintet and organ, commissioned by the Memorial Church at Harvard University in celebration of its 75th anniversary.

A solemn prayer setting for Candlemas, from Sequence For St. Wulfstan. Commissioned by the choir of St. Mary's Episcopal Cathedral, Edinburgh and first performed in February 2005.

The SATB version from O'Regan's 'Triptych'.

Full score for Tarik O'Regan's Night City for double chorus (SSA + SATB) and percussion (2 players). Also available: NOV162404-01: Percussion partsNOV162404-02: Vocal Score

Percussion Parts for Tarik O'Regan's Night City for double chorus (SSA + SATB) and percussion (2 players). Also Available: NOV162404: Full scoreNOV162404-02: Vocal score

Commissioned by the British Broadcasting Corporation for the Pro Musica Girls' Choir of Hungary, winner of the 2003 Let the Peoples Sing competition.

Commissioned by Spitalfields Festival. First performed by The Orlando Consort at the Spitalfields Festival 2006.

Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St John's College, Cambridge and was premièred under the direction of David Hill in the College ch...

Hymnus de Sancte Andree Apostole, commissioned by Wells Cathedral, received its first performance during a live broadcast of Choral Evensong on BBC Radio 3 on 29th November 2006, the Eve of St. Andrew...

Written for SATB choir. Maybe we have time was commissioned by Conspirare and Craig Hella Johnson for their September 2007 concert series in Texas. It sets a poem of the same name by Chilean poet Pabl...

Written for Soprano and Tenor soloists and SATB chours. These two short Emily Dickinson (1830-1886) settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series...

For SATB Chorus. Jointly commissioned by the National Chamber Choir and the Cork International Choral Festival for the seminar 'from composition to performance, the seminar on choral music'. This work...

Commissioned by the Musicians Benevolent Fund in the name of Sir Thomas Armstrong. Voce mea was first performed at the Festival of Saint Cecilia Service in Westminster Cathedral on 19th November 2008...

Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in...

The Great Silence (setting Edward Thomas' poem Snow) was commissioned by Timothy Brown and the Choir of Clare College, Cambridge. It was premiered under the direction of Timothy Brown in St John's, Sm...

Tarik O'Regan's Tell Me incorporates words by the Irish poet Nahum Tate (1652-1715). This arrangement, for unaccompanied SSA chorus or three voices, was written for Juice Vocal Ensemble and premiered_...

Lines of Desire is a term attributed by architects and planners to the routes that evolve over time, which people instinctively take through open space, rather than those marked by paths or pavements....

Work for solo Piano composed in 1999. It won 1st Prize in the IMRO International Composition Competition 2001.

O'Regan's setting of a text by Mark Pryce is a beautiful and peaceful Christmas carol, written for full mixed chorus with Harp accompanying.

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissio...