Tarik O'Regan

Commissioned by Spitalfields Festival. First performed by The Orlando Consort at the Spitalfields Festival 2006.

Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St John's College, Cambridge and was premièred under the direction of David Hill in the College ch...

Hymnus de Sancte Andree Apostole, commissioned by Wells Cathedral, received its first performance during a live broadcast of Choral Evensong on BBC Radio 3 on 29th November 2006, the Eve of St. Andrew...

Written for SATB choir. Maybe we have time was commissioned by Conspirare and Craig Hella Johnson for their September 2007 concert series in Texas. It sets a poem of the same name by Chilean poet Pabl...

Written for Soprano and Tenor soloists and SATB chours. These two short Emily Dickinson (1830-1886) settings, commissioned by Craig Hella Johnson and Conspirare for their September 2007 concert series...

For SATB Chorus. Jointly commissioned by the National Chamber Choir and the Cork International Choral Festival for the seminar 'from composition to performance, the seminar on choral music'. This work...

Commissioned by the Musicians Benevolent Fund in the name of Sir Thomas Armstrong. Voce mea was first performed at the Festival of Saint Cecilia Service in Westminster Cathedral on 19th November 2008...

Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in...

The Great Silence (setting Edward Thomas' poem Snow) was commissioned by Timothy Brown and the Choir of Clare College, Cambridge. It was premiered under the direction of Timothy Brown in St John's, Sm...

Now Fatal Change by Tarik O'Regan. 5 short duets for countertenor and violin. First performance by Ryland Angel and Lara St John on 28 December 2012, Trinity Wall Street, New York, USA. Duration: ca....

Lines of Desire is a term attributed by architects and planners to the routes that evolve over time, which people instinctively take through open space, rather than those marked by paths or pavements....

Work for solo Piano composed in 1999. It won 1st Prize in the IMRO International Composition Competition 2001.

Tarik O'Regan's The Night's Untruth for SATB chorus, Brass ensemble and Organ is a co-commission celebrating the 10th anniversary of JAM (The John Armitage Memorial Trust) and the 40th anniversary of...

A Letter Of Rights is a work by Tarik O'Regan, a Cantata for SATB Chorus, Strings and Percussion. Commissioned by Salisbury Cathedral to mark the 800th anniversary of the Magna Carta, it received its...

The Ecstasies Above, commissioned from the Robert Baker Commissioning Fund for Sacred Music by Yale Institute of Sacred Music, was premièred by Yale Schola Cantorum under the direction of Simon Carrin...

The Full Score for Tarik O'Regan 's Blessed Are They. Commissioned in honour of Raymond and Elizabeth Chenault for their 38 years of service as Organists and Choirmasters of All Saints' Episcopal Chur...

The String Quintet Parts for Tarik O'Regan 's Blessed Are They. Commissioned in honour of Raymond and Elizabeth Chenault for their 38 years of service as Organists and Choirmasters of All Saints' Epis...

The Dorchester Canticles were commissioned by the Bournemouth Sinfonietta Choir, with funds from Arts Council England. Received its première in St Mary's Church, Dorchester in a performance on 22nd Ma...

Fragments from a Gradual Process was commissioned by ensemblebash. The work was premiered by the commissioners, with violinist Madeleine Mitchell, on 21 April 2005 in Turner Sims Concert Hall, Southam...

Written for SSAA choir, with soloists, vibraphone and bass guitar.

Postlude is taken from the larger work, Threshold of Light, for SATB chorus, brass quintet and organ, commissioned by the Memorial Church at Harvard University in celebration of its 75th anniversary.

Tarik O'Regan's Mass Observation was commissioned for the University of Michigan Chamber Choir, Jerry Blackstone, conductor, thanks to support from the William K. and Delores S. Brehm Choral Commissio...

Motet for SATB Choir A Cappella, commissioned by Sam Hayes and the Choir of Queens' College, Cambridge in commemoration of Her Majesty Queen Elizabeth II becoming Patroness of Queens' College, Cambrid...