Thea Musgrave

This Concerto was commissioned by the Feeney Trust for the City of Birmingham Orchestra and was written between March and November 1967. It consists of five sections and they are played without a brea...

This work was commissioned by the Boston Symphony Orchestra and it was completed in January 2004. First performance by the Boston Symphony, conductor Grant Llewellyn, April 1, 2004.

Commissioned by BBC Radio 3 for the 2012 BBC Proms. First performed on 5th August 2012 at the Royal Albert Hall, London, by the BBC Scottish Symphony Orchestra, conducted by Donald Runnicles. Instrume...

Written for orchestra. Commissioned by the City of Glasgow to mark the opening of a new International Concert hall on 19 October 1990, and to celebrate the city as cultral capital of Europe. Rainbow i...

This piece is to be performed without a conductor with an emphasis of the soloistic qualities of a group of players. Space Play was commissioned by the Serge Kossevizky Music Foundation in the Library...

Marko the Miser is designed the children to mime, sing and play and can be done either as a concert performance or a stage piece. The words are by the composer and Frederic Samson and are based on a s...

Thea Musgrave's The Last Twilight was composed in 1980 and is arranged for SATB and Brass Ensemble. commissioned by Anthony Branch and New Mexico D H Lawrence Festival, the piece has a duration of app...

Edition Lindsay

Set for SATB voices by Thea Musgrave.

This piece provides a compositional challenge to find a balance between 2 wind instruments and piano, the general structure of the piece is evolved so that different balances between the 3 instruments...

Originally composed for Flute and Digital Delay, Narcissus was first performed on 15th January 1988 at the Purcell Room, London by Janet Larsson.

Cantilena was commissioned by the London Chamber Music Society to celebrate their move to King's Place in October 2008. First performed by Nicholas Daniel and members of the Chilingirian Quartet at K...

Composed in 1961

This work was commissioned by the Anglo-Austrian Music Society and was written in the last six months of 1966. It is dedicated to Nadia Boulanger for her 80th birthday - 16 September 1967.