Tomás Luis de Victoria

O Magnum Mysterium is one of de Victoria's most popular choral works. It would make a powerful addition to any concert or recital.

An ideal piece for beginning brass quintet. Full harmonies and well-balanced instrumentation make this not only playable but a very successful piece for a quintet looking for a good piece for developi...

Tomas Luis De Victoria's Jesu Dulcis Memoria is a motet for SATB Choir, as edited by Frank Damrosch and revised by Nicola A. Montani. An Organ accompaniment is scored for rehearsal use.

Version for Upper Voices as arranged by Carl Deis.

Missa O Quam Gloriosum est Regnum for SATB.

Thomas Luis De Victoria O Magnum Mysterium for mixed voice choir SATB. (washington)

Dum Complerentur arranged for SSATB.

Dum Ergo Essent arranged for SSATB.

Magnificat Primi Toni arranged for two SATB choirs.

Lauda Sion arranged for two SATB choirs.

For SSAB and SATB choir.

Tenebrae Responsory for Good Friday. Edited by Bruno Turner.

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Frauenchor - SSAA Renaissance/Barock

Here we find the sound of late Renaissance Spanish composer Tomas Luis de Victoria artistically captured for the concert band. The arranger masterfully articulates de Victoria's subtle and expressive...

Here we find the sound of late Renaissance Spanish composer Tomas Luis de Victoria artistically captured for the concert band. The arranger masterfully articulates de Victoria's subtle and expressive...

The compositional style of this motet demonstrates word-painting and madrigal-like features. It opens with a duet that may reflect the word 'Duo' in the title, and the use of three voices at the start...

In Grown about by fragrant bushes, Skempton sets a poem by Robert Louis Stevenson using gentle, lilting melodies. The theme of loss is sensitively conveyed in a tonal language that is made more expres...

Victoria captures the sorrow of the Passion by sustained homophonic writing from the start and subtle points of imitation. The use of a descending melodic line depicting the sorrow of the text is one...

The darkness evoked in this piece mirrors not only the title word 'Tenebrae', but also the intense grief of the crucifixion, as Jesus gives up his spirit.