Ulrich Bartels

Bach's two-part Inventions and three-part Sinfonias (BWV 787-801) have come down to us in an autograph fair copy dated 1723. The Inventions in particular are of merely moderate difficulty and occupy a...

Gesamtausgabe; Partitur; Urtextausgabe

New Urtext edition based on the 1723 autograph.

New Urtext Edition by Ulrich Bartels Johann Sebastian Bach's 'Concerto in the Italian Style' has been one of his most popular works ever since its publication in 1735. It surprises by its clarity and...

Die vorliegende Neuausgabe von Bachs Französischen Suiten BWV 812-817 kombiniert diese mit der großen Französischen Ouvertüre h-Moll BWV 831 aus dem 'Zweiten Teil der Klavierübung'. Sie vereint somit...

¡El texto de la cantata de Bach "Tue Rechnung! Donnerwort" de Bach fue publicado en el "Evangelische Andachts-Opffer" de Salomon Frank ya en 1715, durante la época de Bach en Weimar. Sin embargo, la o...

La cantata de Bach "Gott soll allein mein Herze haben" BWV 169 procede del tercer ciclo de cantatas de Leipzig; se estrenó el 20 de octubre de 1726 en el 18º domingo después de la Trinidad. Investigac...

Urtext der Neuen Bach-Ausgabe. Soli, Gemischter Chor, Orchester - Partitur; Urtextausgabe; Gesamtausgabe

Edited by Ulrich Bartels, this companion volume to the recently-published 2-part inventions, is based on Bach's autograph, and also informed by contemporary secondary sources.

En cierto modo, esta edición es un complemento del volumen de obras de autenticidad dudosa (BA 5250). Contiene obras que han llegado hasta nosotros con el nombre de Johann Sebastian Bach o que se han...

Bajo el nombre de Johann Sebastian Bach han llegado hasta nosotros numerosas obras cuya autenticidad ha sido puesta en duda en diversas ocasiones. La presente edición reúne ahora todas aquellas piezas...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

For soli (SATB), choir (SATB) 2 oboes d'amore, 2 violins, viola and basso continuo. The text of Bach's cantata 'Tue Rechnung! Donnerwort' was published in 1715, that is during Bach's Weimar period, in...

Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...

Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...

Bach's cantata 'My God alone this heart possesses' BWV 169 is from his third annual cantata cycle in Leipzig; it was first performed on 20 October 1726 for the 18th Sunday after Trinity. As recent res...