Valentin Silvestrov

En esta edición, Silvestrov ha recopilado por primera vez cinco ciclos de una multitud de 'Bagatellen', su género favorito en los últimos años - e incluso las ha grabado en CD (ECM). Lo que le interes...

In Silvestrovs kurzem Chorsatz erklingt nur ein Teil der von Beethoven verwendeten Zeilen aus Schillers 'Ode an die Freude' - die Strophe 'Freude schöner Götterfunken' und 'Seid umschlungen, Millionen...

'Veni, creator spiritus', 'Lacrimosa', 'Alleluja' - diese drei geistlichen Lieder von Valentin Silvestrov bergen zumindest sprachlich keine Probleme, dennoch stellen sie höchste Ansprüche an den bis z...

Euromaidan and Revolution of Dignity were the names given to the Ukrainian citizens' protests, which began in November 2013 and reached its bloody peak in February 2014, with 80 deaths. Again and agai...

Los Cuatro Salmos (2024) -encargo de la Fundación Príncipe Pierre de Mónaco- están dedicados a Su Alteza Real la Princesa Carolina de Hannover. Este ciclo expresa la actitud espiritual y muy personal...

El compositor teje la polifonía de las voces de los poetas (Pushkin, Lermontov, Tyutchev, Baratynsky, Yesenin, Mandelstam, Keats, Shelley y otros) en un todo integral, en una misteriosa armonía. El hé...

This volume contains piano works from the years 1996-2003 in which Silvestrov's new compositional language becomes clearly apparent: Although the music shows, both visually and acoustically, Classical...

This music was created in memory of Larissa Bondarenko, the late wife of the composer. The work is a hybrid combination of strophic lied form and Baroque lamento (more or less chaconne). The exquisite...

The Sonata for cello and piano introduces a 'novel imaginary instrument', a cello piano which is played in a mysterious way, as if by a musician.This metaphorical instrumentation creates a metaphorica...

Quasi Vc-solo means that the two cellists shall communicate with each other in a very careful and gentle way, shall respond to each other in a sensitive way, to sound as only one instrument, a cello '...

Anja Lechner, cellist and dedicatee of 'Hieroglyphs of the night' explains her feelings with Silvestrov's music: '... it changed me. I was so moved by this delicate, breathing sounds and melodic fragm...

Diptychon is a two-part composition which may be compared to altarpiece. In addition to an image of Christ, this usually depicts the life of a saint. The image of Christ corresponds to the Lord's Pray...

Kein Sommernachtstraum, sondern Eine Winternachtsmusik - mit elektronisch erzeugten Windgeräuschen: 'Ein sehr leiser Winterwind, den man wie aus der Ferne von draußen durch das Fenster hört.' - so die...

Silvestrov thinks that a coda is more than something which brings a work to an end. It is one of the most important parts of a composition, or at least just as important as the other sections. His can...

This composition is both a milestone and an interface in Silvestrov's work: it is the end of his 'avant-garde period' and the beginning of what he later calls 'metamusic'. The structure of the work is...

Metamusik is not only the title of this work, but also a concept with which the composer has attempted to describe his style. He considers Metamusik to be 'a semantic overtone above music'. 'Meta', Si...

Symphony no. 6 is 'a gigantic farewell symphony written at the end of the millenium. It is at one and the same time retrospective, sums up, and, in a visionary manner, is directed towards the future ....

I would like to take this opportunity to express my sincerest gratitude to Eamonn Quinn, Artistic Director of Louth Contemporary Music Society in Ireland, for his deep empathy, appreciation and great...

Written for the Kronos String Quartet, this piece contains Irish accents and some simple ideas that both convey the composer's enthusiasm for Ireland, the historical fate of which reminds him of his n...