Walter Bergmann

This sonata for two treble recorders without bass was first published in London in 1691 and is reproduced here from a copy in the Durham Cathedral Library by permission of the Dean and Chapter.

The edition is part of the Trinity syllabus 2007 (grade 6)

Discover a timeless masterpiece of the Baroque era: the Sonata No. 1 in F major (TWV 41:F2) by Georg Philipp Telemann from the famous collection "Der getreue Music-Meister". This first-class sheet mus...

The edition is part of the ABRSM syllabus (grade 4)

Immerse yourself in the rich sonorities of the Baroque era: With "Sonatas Nos. 1–4" from Georg Philipp Telemann's celebrated collection "Der getreue Music-Meister", recorder players can experience Bar...

Alto recorder and basso continuo; violoncello ad lib.

Alto recorder and basso continuo; violoncello ad lib.

Alto recorder and basso continuo; violoncello ad lib.

Immerse yourself in the rich sonority of the Baroque era with the elegant Partita No. 4 in G minor. This exquisite work for soprano recorder and basso continuo offers recorder players the perfect oppo...

Discover the warm and expressive voice of the viola with the elegant "Sonata in G major, Op. 2/6". This charming work offers violists wonderful opportunities for nuanced phrasing and rich tonal expres...

The edition is part of the Trinity syllabus 2007 (grade 5)

The edition is part of the ABRSM syllabus (grade 5)

This ode is the last of six birthday pieces that Purcell composed for Queen Mary, wife of William III. It was performed for the 33rd birthday of the Queen on April 30, 1694. The queen died in December...

Chorpartitur - gemischter Chor (SATB), Soli (SAATBB) und Orchester

Experience masterful Baroque chamber music brimming with elegance and esprit with the "Paris Quartets 1" (Pariser Quartette 1). These fascinating works flawlessly combine French charm with Italian vir...

Flöte, Violine, Viola da gamba/ Violoncello, Basso continuo - Urtextausgabe; Partitur; Stimmensatz

Händel wrote two versions of this work: as concerto for organ and orchestra, Op. 4 No. 5, and as sonata for alto recorder and basso continuo, Op. 1 No. 11. In the early 18th century, it was common pra...