Partituras para Big Band

As recorded by the Bob Mintzer Big Band on Incredible Journey, this gospel ballad is a full-length solo feature for tenor sax. It starts with a rubato intro in 4/4 before switching to 6/4, and goes ou...

As recorded by the Bob Mintzer Big Band on Incredible Journey, this gospel ballad is a full-length solo feature for tenor sax. It starts with a rubato intro in 4/4 before switching to 6/4, and goes ou...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Nestico says that all real '...

Scored for augmented jazz ensemble, this setting of the famous theme (a.k.a. Danny Boy) features legato woodwind flourishes and sustained brass chords. In his score notes, Sammy Nestico says that all...

Recorded in 1967 by Count Basie & His Orchestra on the album Basie Straight Ahead, this beautiful tune featuring alto sax includes written solo lines for players lacking improvisation confidence or ex...

Starting and ending as a ballad in a comfortable two-beat style, the jazz waltz midsection provides essential contrast in this beautiful arrangement of the Rimsky-Korsakoff classic. As always, attenti...

Recorded by Miles Davis on his iconic album Miles Ahead (Columbia) and arranged by the great Gil Evans, this moody ballad featuring trumpet throughout is not a technical showpiece, but rather requires...

features Tenor or Alto Sax

Recorded by the Toshiko Akiyoshi-Lew Tabackin Big Band on the album March Of The Tadpoles, the score notes for this beautiful work explain two major performance options. First, the introduction may be...

Commissioned by the Kentucky Music Educators' Association for its 2002 All-State Jazz Ensemble, this pensive tune featuring solo tenor should be played with an unhurried 12/8 feel. Except for two full...

Commissioned by the Kentucky Music Educators' Association for its 2002 All-State Jazz Ensemble, this pensive tune featuring solo tenor should be played with an unhurried 12/8 feel. Except for two full...

As recorded by the great Thad Jones-Mel Lewis Orchestra on the album Suite For Pops, this ballad showcases the breathy sound of flutes, the mellow sound of short flugelhorn solos (written lines provid...

As recorded by the great Thad Jones-Mel Lewis Orchestra on the album Suite For Pops, this ballad showcases the breathy sound of flutes, the mellow sound of short flugelhorn solos (written lines provid...

Features Trombone

Recorded in 1971 by Buddy Rich on the album A Different Drummer, this beautiful, even-8ths ballad features cameo written solos for trumpet, alto sax, and trombone; lead alto takes the only improvised...

Recorded in 1971 by Buddy Rich on the album A Different Drummer, this beautiful, even-8ths ballad features cameo written solos for trumpet, alto sax, and trombonelead alto takes the only improvised so...

One of the most beautiful ballads that Neil Slater has ever written, Places has been in the North Texas One O'Clock Lab Band book for a number of years and was finally recorded on their CD Lab 2004. T...

One of the most beautiful ballads that Neil Slater has ever written, Places has been in the North Texas One O'Clock Lab Band book for a number of years and was finally recorded on their CD Lab 2004. T...

As recorded by The Vanguard Orchestra on their album Thad Jones Legacy, this expressive journey opens with a brief ensemble statement followed by a full-length piano solo, ensemble interlude, and a so...

As recorded by The Vanguard Orchestra on their album Thad Jones Legacy, this expressive journey opens with a brief ensemble statement followed by a full-length piano solo, ensemble interlude, and a so...

This beautiful, torchy jazz ballad in two tempos features solo trumpet throughout. Written lines with chord changes are provided for the soloist, and even though the solo lines are pretty, they should...

This beautiful, torchy jazz ballad in two tempos features solo trumpet throughout. Written lines with chord changes are provided for the soloist, and even though the solo lines are "pretty," they shou...

According to the score notes for this pensive adaptation, the key to a warm and colorful rendition lies chiefly in an exceptional emphasis on dynamics. Playing in a smooth legato style and with vibrat...

According to the score notes for this pensive adaptation, the key to a warm and colorful rendition lies chiefly in an exceptional emphasis on dynamics. Playing in a smooth legato style and with vibrat...