Partituras para Big Band

Look out, old Mackie is back! This fabulous vocal chart modulates four times, up a half-step each time and has a written-out tenor solo and a big shout chorus. Arranged in two keys, the high key begin...

Swingin' and singin' with big band! This chart practically plays itself. The key is F minor, the vocal range is middle C to 3rd space C, and the lead trumpet range is to written F top line. Solo space...

A swing chart styled after the Michael Bublé version, arranger Scott Ragsdale nailed it. At 148 BPM, in the key of B-flat modulating to C, the vocal range is from F below middle C to 3rd space C, treb...

A fine vocal chart of a wonderful standard treated as a moderate swing. Arranged in two keys for flexibility, the low female key is C, and the vocal range is G below middle C to third line B. The high...

My Man Sam de Gordon Goodwin es un homenaje al difunto, genial y brillante arreglista/compositor Sammy Nestico. El tempo medio de swing es de 134 BPM y los solos escritos sugeridos son para trompeta 2...

Se trata de una reedición del famoso título interpretado por Count Basie y otros. Debería estar en la biblioteca de TODOS los conjuntos de jazz escolares y tocarse al menos una vez a la semana. Ideal...

Here's Glenn Miller's super hit authentically transcribed and re-created by Jeff Hest! This one is a must-do chart to teach the distinctive Glenn Miller sound and style. Its unique arrangement can be...

Del CD de Quincy Jones y Sammy Nestico titulado Basie & Beyond. Compuesta por el compositor y productor Quincy Jones, ganador de un Grammy, se trata de un swinger para solista de piano, guitarra o vib...

Featuring the lead trombone, this one really swings! George Gershwin composed it and Dave Wolpe arranged the ultimate jazz standard as a showcase for your trombone soloist and the entire bone section....

Van Morrison's hit arranged for the young player sounds hipper than ever! The swing groove sounds cool as the melody goes through the sections of the band -- sometimes unison, sometimes in harmony, it...

More Duke Ellington magic! This chart sells itself... the vocal group is just the frosting on the cake. The voice leadings are good and the band cooks along well. Look at this one!

You can hear the train comin' down the tracks! Mike Carubia presents this big band classic in a fresh new arrangement for jazz ensemble with jazz vocal quartet, in either SATB or optional SSAA version...

Moonlight Serenade

A great combination of Gershwin and Wolpe! This vocal solo with big band chart is written in two different keys for your flexibility--it works for your female or male vocalist. A great Gershwin song w...

Another outstanding jazz vocal with jazz ensemble! This chart is totally flexible---it's written in two keys! The higher key usually works for your male vocalist and the lower key for your female voca...

Recorded in 1968 on the album Basie Straight Ahead this slow swinger defines the Basie style at this tempo. While not overly demanding technically, this chart will challenge even the best bands to pla...

Set in a laidback swing groove, this chart features a sax chorus, some driving ensemble sections, and solos for trombone, tenor sax, trumpet and piano (suggested solos provided for all). Sammy says th...

From the 'Basie-Straight Ahead' recording of 1968 featuring the legendary Count Basie, Harold Jones, Grover Mitchell, Marshall Royal and Freddie Green, highlights here include a recurring alto/trumpet...

As recorded by Count Basie & His Orchestra for their Basie Straight Ahead album of 1968, this classic blues features a moderate tempo, piano and tenor solos, solid sax and brass solis, and a series of...

This solid swing tune featuring an open solo section, modest brass ranges, and lots of full-ensemble scoring comes with a sheet of written solo lines for all instrument types for players with little o...

Written by Count Basie and his vocalist, Jimmy Rushing, this tune was a staple of the early Basie band. The chart that we offer here is a later vocal version written for Peggy Lee by Quincy Jones. It...

American Patrol? - but everybody's got that in their library. Well, yes and no. There are many bands using a 'stock' dance band arrangement originally written for 5 saxes and 5 brass, and possibly the...

'Moonlight Serenade' was Glenn Miller's most famous composition, served as the theme tune for his band and is probably the definitive example of the 'Miller' sound - tightly scored Clarinet-led reeds...

A classic Cole Porter song from 1932, Night and Day was a 'must-have' number for the great Big Bands of the era. Our version is based on that used by Ella Fitzgerald, and is a good example how to scor...