Partituras para Big Band

Recorded in 1977 on the album Heavy Weather, Palladium is a jazz fusion staple from the ground-breaking group Weather Report. Wayne Shorter's dynamic composition is orchestrated here for full jazz ens...

Recorded in 1977 on the album Heavy Weather, Palladium is a jazz fusion staple from the ground-breaking group Weather Report. Wayne Shorter's dynamic composition is orchestrated here for full jazz ens...

Opening with a small group feature (alto, tenor, trumpet and trombone), this easy arrangement features plenty of scoring variety, and a nicely flowing moderate swing style. Also included is a brief sa...

Arranged in a slow swing ballad style, John's well-crafted arrangement of this time-tested standard is skillfully scored to take full advantage of the little big band format. Includes solos for trumpe...

Arranged in a slow swing ballad style, John's well-crafted arrangement of this time-tested standard is skillfully scored to take full advantage of the little big band format. Includes solos for trumpe...

Written by bebop composer Tadd Dameron as a tribute to jazz vocalist Billie Holiday, this jazz standard belongs in every jazz musician's repertoire. With a short 16-bar form, this tune is a great intr...

Written by bebop composer Tadd Dameron as a tribute to jazz vocalist Billie Holiday, this jazz standard belongs in every jazz musician's repertoire. With a short 16-bar form, this tune is a great intr...

From his early cool period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full band soli...

From his early cool period, this Miles Davis standard is arranged here in a contemporary setting featuring alto sax and flugelhorn on the melody. Solo space is provided for each, and a full band soli...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

From Wayne Shorter's influential 1964 album Speak No Evil, this jazz standard is transformed here for young bands by Mark Taylor. The relaxed swing feel and harmonies of the original are all retained,...

Featuring a distinctive up-beat groove in 7/4 throughout (3+4), Mark's inventive original is a fabulous duet feature for trumpet and tenor sax. In between the duet statements and solos are full ensemb...

Featuring a distinctive up-beat groove in 7/4 throughout (3+4), Mark's inventive original is a fabulous duet feature for trumpet and tenor sax. In between the duet statements and solos are full ensemb...

Featuring a distinctive up-beat groove in 7/4 throughout (3+4), Mark's inventive original is a fabulous duet feature for trumpet and tenor sax. In between the duet statements and solos are full ensemb...

Having written this for her son in 1998, composer Michele Fernández brings us this highly emotional and rewarding work for jazz ensemble. The nostalgic opening solo section (which is optional) leads t...

Having written this for her son in 1998, composer Michele Fernández brings us this highly emotional and rewarding work for jazz ensemble. The nostalgic opening solo section (which is optional) leads t...

In the skilled hands of arranger Michael Mossman, this Irving Berlin classic feels completely at home as a mambo! With some harmonic wrinkles and a terrific mix of scoring styles, this chart has a gre...

Here is unique and creative take on Charlie Brown's favorite holiday tune. Featuring a relaxed swing style in 4/4 (rather than the usual 3/4), along with a rich harmonic palette and masterful little b...

The bolero is Cuba's version of the ballad, and this hauntingly beautiful melody with lush orchestrations yields an expressive opportunity for both your alto sax soloist and ensemble. The Paquito D'Ri...

Although known primarily as the theme for the famed Harlem Globetrotters, this familiar standard has remained popular through the years with recordings by countless jazz artists. Here's a fun version...

Recorded in 1932 by Bennie Moten's own Kansas City Orchestra, this jazz classic was notably stylized by Count Basie in 1940. Rick Stitzel's easy version is true to the Basie style, featuring tutti ens...

Recorded in 1932 by Bennie Moten's own Kansas City Orchestra, this jazz classic was notably stylized by Count Basie in 1940. Rick Stitzel's easy version is true to the Basie style, featuring tutti ens...

This appealing jazz standard is a great way to liven up a concert and feature your vocal soloist. The style is medium swing and every section of the band gets a chance to shine.

This appealing jazz standard is a great way to liven up a concert and feature your vocal soloist. The style is medium swing and every section of the band gets a chance to shine.

This appealing jazz standard is a great way to liven up a concert and feature your vocal soloist. The style is medium swing and every section of the band gets a chance to shine.