Partituras de Big Band para avanzados

Straight from Mike Tomaro's "Home Again" disc on the Positive Music label, "Conspiracy Theory" is designed with the abilities of medium-advanced bands in mind, this half-time funk original features an...

Written in ABA form featuring funk shuffle and double-time swing styles, tenor sax gets the primary solo assignment here, though the solo section may be opened up for additional players if desired. Wi...

A trendy funk groove, solos for alto sax and trumpet, and solid ensemble writing make this a winner in anyone's book! As the title implies, playing with controlled intensity and momentum throughout ar...

This funk chart is based on two chord changes which make soloing a breeze. A short interlude (Bridge) provides a break from the 2 chords.

Carl has provided our catalogue with a funky power rock composition that will keep your students happy and challenged! With a power intro featuring the guitar, this chart settles down to a nice groove...

An exciting new funk chart that will please both students and audiences with it's funky feel and blues based melodies. Solos are a piece of cake with only 2 chords or one scale to negotiate. Concert F...

Lots of funky fun in this cool chart that starts out featuring a combo of alto sax, bari sax, trumpet, guitar and trombone before the whole ensemble gets in on the action. The solo section is designed...

Right from the start, the bass line lets you know this is one cool chart. Funky lines and plenty of solid ensemble writing make this Hip-Hop groove a great change of pace for your next performance. Lo...

Pete has composed another gem! 'Soulful Swagger' is written in a medium funky-groove style with plenty of energy and driving ensemble sections to keep it cookin'! A contemporary big band chart with lo...

A great new chart of Freddie Hubbards' great 'Blues For Miles' that really cooks! Freddie describes this tune as 'Hip Hop Funk' on the original CD also entitled 'Blues for Miles.' Mike's solid arrange...

Lots of funky fun in this cool chart that starts out featuring a combo of alto sax, bari sax, trumpet, guitar and trombone before the whole ensemble gets in on the action. The solo section is designed...

Recorded in 1971 by the Count Basie Orchestra on their Have A Nice Day album, this classic featuring solo trombone opens and closes with a directed chorale. In between, the pairing of a gospel groove...

Big Band Gospel...... what a wonderful idea! Dan has written a very attractive gospel-flavored chart which is not difficult to play. Limited ranges make this a playable chart for most bands (the last...

'Vending Machine isn't Broke' is an excellent contemporary chart for big band by Craig Skeffington. Written in a modern straight 8th style, it features all sections of the band with improvisational sp...

'Avalon' is a 1920s jazz-era chart by Vincent Rose and Buddy DeSylva, written originally as an advertisement for the California resort town, and has found fame as a virtuosic showcase for big bands an...

“I Saw Three Ships” is not only an absolute perfect chart for your December concerts, but it’s so much fun to play that you should program it anytime! This 17th century English carol takes on a whole...

The catchy and funky groove of New Orleans second-line style is beloved not only by the locals, but listeners worldwide. Kris Berg’s "Rampart Street Revival" is an energetic, re-imagining of the class...

First introduced in 1928, this familiar song has gone on to become one of the most recorded standards of all time, including recently by Tony Bennett with Lady Gaga. This swingin' version for vocal so...

This appealing jazz standard is a great way to liven up a concert and feature your vocal soloist. The style is medium swing and every section of the band gets a chance to shine.

This appealing jazz standard is a great way to liven up a concert and feature your vocal soloist. The style is medium swing and every section of the band gets a chance to shine.

This appealing jazz standard is a great way to liven up a concert and feature your vocal soloist. The style is medium swing and every section of the band gets a chance to shine.

Although this tuneful standard has been recorded by a number of jazz artists through the years, Beverly Kenney's version from 1957 caught everyone's attention recently thanks to the television commerc...

Although this tuneful standard has been recorded by a number of jazz artists through the years, Beverly Kenney's version from 1957 caught everyone's attention recently thanks to the television commerc...