Partituras de Big Band para profesionales

Available again, here is Frank Mantooth's classic chart from 1987 as performed by the Ashley Alexander Big Band on Seems Like Old Times. Let your piano player show off with this stunning ballad arrang...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

As performed by Carmen McRae (including the spoken intro), here is John Clayton's sensitive and gorgeous version of For All We Know. The rich ensemble accompaniment is as much a part of the arrangemen...

Bess, You Is My Woman Now' is a crucial plot point in George and Ira Gershwin's opera 'Porgy and Bess;' it serves as the moment when the title characters admit and embrace their love for one another....

Gil Evans's arrangement of 'Here Come Da Honey Man' is the shortest track on Miles Davis's 1958 version of 'Porgy and Bess.' In the original opera, it serves as a brief but effective introduction of P...

Much like 'Bess, You Is My Woman Now,' 'I Loves You Porgy' serves as a declaration of love between the title characters of the Gershwin/Heyward opera 'Porgy and Bess.' Gil Evans's arrangement for Mile...

This beautiful ballad by the legendary trumpeter Freddie Hubbard was originally recorded on his 1970 album The Black Angel in small group form. This big band arrangement is courtesy of trombonist John...

Written in 1953 for Nat 'King' Cole, Billy May's arrangement of Angel Eyes does a wonderful job of both capturing and expanding upon the dark and sensual melody of what has become one of the most freq...