Partituras de Big Band para profesionales

From the CD Groove Shop recorded by the Clayton-Hamilton Jazz Orchestra, here is John Clayton's stylish take on this masterful Billy Strayhorn composition. The rhythm section sets up the feel followed...

This monster chart from John Clayton was written specifically for his clinic presentation at the IAJE convention where it was rehearsed and premiered in January 2005. After the rhythm section sets the...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

As recorded by the Count Basie Orchestra, here is Sammy Nestico's classic arrangement of this Frank Foster jazz standard! Including all the signature piano stylings, muted brass on the first strain, s...

A Gordon Goodwin vocal chart! In addition to the vocal part, there are solo lead sheets for alto sax, tenor sax, trumpet and trombone. Gordon has conceived this chart with the vocal intertwined into t...

It's funky with all the Big Phat Band attributes, and it's fairly tough to play, but hey, it's Gordon and you know it will be a hot chart...if you have the horses. The opening lick for piano is really...

As recorded by the Count Basie Orchestra, here is Sammy Nestico's classic arrangement of this Frank Foster jazz standard! Including all the signature piano stylings, muted brass on the first strain, s...

Feature the vibes (or piano) with this creatively arranged standard that was written specifically for vibes legend Milt Jackson (heard on this excerpt). The melody is bookended by plaintive statements...

Warner Bros. Publications is proud to present this important new series, Jazz at Lincoln Center Library. Each selection was selected by the Center's musical director, Wynton Marsalis, for Essentially...

The Second Annual Jazz at Lincoln Center High School Jazz Band Competition. Each transcription is direct from the recordings of the immortal Duke Ellington, and they are not only authentic, they are p...

Think of it as turbo-charged musical tongue-in-cheek Gordon Goodwin style. Based on the theme from the movie Attack of the Killer Tomatoes, the theme has been developed per Gordon's usual amazing abil...

The Annual Jazz at Lincoln Center High School Jazz Band Competition. Each transcription is direct from the recordings of the immortal Duke Ellington, and they are not only authentic, they are perfect...

Warner Bros. Publications is proud to present this important new series, Jazz at Lincoln Center Library. Each selection was selected by the Center's musical director, Wynton Marsalis, for Essentially...

Jazz at Lincoln Center Library. is an exciting project under the artistic direction of Wynton Marsalis that is dedicated to the preservation of the jazz style and designed to honor the greats of jazz...

Recorded on the SWR Big Band CD Fun Time and adapted from the tune Blue Daniel, this chart romps along in "four" instead of "three" and sounds harder than it is. It features a sax chorus and solos by...

Recorded by Count Basie as a feature for two trombones, this updated, advanced-level version for the SWR Big Band CD Fun Time now features four trombones out front and a strong ensemble chorus. Sammy...

Recorded by Count Basie as a feature for two trombones, Sammy's updated revision now features four trombones out front and a strong ensemble chorus. Rhythm section parts are partially notated with cho...

This bright jazz style chart for advanced groups was recorded by the SWR Big Band on the CD Fun Time, and requires a trumpet section that can play with delicacy and power. Solo work for trumpet and pi...

This bright jazz style chart was recorded by the SWR Big Band on the CD Fun Time, and requires a trumpet section with both delicacy and power. This piece contains solo work for trumpet and piano, alon...

This tenor sax feature requires the background volume to stay comfortable under the soloist. Save the volume for measure 28, and also the big build up at measure 49 to make for an interesting ending....

As recorded by the Thad Jones-Mel Lewis Orchestra on their Consummation album, this speedy bebop classic is a fabulous showcase for just about any number of soloists. A fully-voiced sax soli, rousing...

As recorded by the Thad Jones-Mel Lewis Orchestra on their Consummation album, this speedy bebop classic is a fabulous showcase for just about any number of soloists. A fully-voiced sax soli, rousing...