Partituras de Big Band para profesionales

This is the original Helen O'Connell version of 'Just You, Just Me', from her album 'Here's Helen', as recorded with the Marion Evans Orchestra. It is not a transcription. The chart is an up tempo swi...

This chart has been transcribed from the Nelson Riddle arrangement on Sinatra's album 'Sinatra's Swingin' Session'. It is a 'builder', and it builds up with style too. Nelson Riddle took this simple c...

From the album 'Rock Swings' a very effective medium groove version of the 1994 Soundgarden number in the classic Sinatra/Basie style. Available for Augmented Big Band with full strings (POW4330) The...

Right from the Count Basie book, and taken from the latest CD from the Count Basie Band. This is not a re-arrangement! These are the parts used by Frank Foster and the Basie Band in their nightly enga...

This is Frank Sinatra at his best. This chart is a transcription of Sinatra with the Count Basie Band, taken from Sinatra at the Sands. It features the original band into - big, punchy and nearly a mi...

Written by Bill Finegan for the Glenn Miller Orchestra, this number is a great example of his arranging skill. He took a simplistic tune (Yo Ho Heave Ho) and turned it into a memorable piece, famous f...

Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994.Recorded by Bob Brookmeyer and the New Art Orchestr...

Celebration, a 4-movement suite, was written for and premiered by Gerry Mulligan at the Schleswig-Holstein Musik Festival in Lübeck, Germany in 1994.Recorded by Bob Brookmeyer and the New Art Orchestr...

Prism is a modal composition which is based largely on several reharmonizatios of a simple 8-bar melody. It is a jazz waltz and features the lead alto sax. Correlated with Vol. 1 of the Jazz Workshop...

Two tenors are featured soloists w/trading choruses. Some sax dbls. Recorded by Bob Florence Limited Edition on Soaring on Sea Breeze Jazz.

AS RECORDED BY HELEN FORREST WITH HARRY JAMES TRANSCRIBED AND ADAPTED BY MIKE HENEBRY Recorded in 1942, this classic Harry James ballad featured singer Helen Forrest. The arrangement is very 'modern'...

Evensong is beautiful and pensive ballad in 3/4 featuring baritone saxophone and flugelhorn. After a statement of the lyrical melody from bari and flugel, ample solo space is given to baritone saxopho...

Written for trombonist Andy Martin and the San Jose State University Jazz Orchestra, Emergence is a beautiful, lyrical ballad that features your trombone soloist. The melody ispresented primarily in t...

After the Rain is a beautiful ballad with an outstretched melody that blurs bar lines and floats, leaving the listener suspended in a dreamy soundscape. An advanced tenor sax soloist will really dig i...

This blues is a great introduction to second line for a high school big band. It alternates between a New Orleans groove and swing. The melody is a simple riff blues, but the regular blues chords have...

Medium Swing Blues. The tune begins with an open C Blues section for piano or guitar a la the Basie Band. The melody has been harmonized with a number of substitutions rather than the standard blues h...

Bright boogaloo straight 1/8th. (Lusaka is the capital city of Zambia) This is feature for Alto and Baritone sax. The solo sections are centered around G7sus (concert) and Bb7. It can get as funky as...

This medium straight-ahead chart is based on the chord progression of Autumn Leaves. The harmonies and voicing's have a Gil Evans-ish flavor with solo space for tenor & trombone, although additional s...

Room 509 is a modern straight-ahead chart that presents a collision of styles broken straight ahead feel and funky hip-hop. The head is challenging but accessible by strong players including rhythm se...

This is a funk tune based on an 8 bar chordal devise with a 'nod' to Randy Brecker. The opening starts with just the sax section. As the chart builds the rhythm section is added, followed by the brass...

Opens with a Gospel flavored, harmonized sax soli. Then moves into a toe-tapping New Orleans style second line ensemble. Open section for all to solo. Big ensemble. 1st tpt. top note F top of staff. S...

La Rumba es una de las formas más icónicas e infecciosas de la música afrocubana, y esta incendiaria tabla contiene un intenso golpe en ambos extremos de una elegante y nostálgica característica de vi...