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From the collection Hark, hark, the lark, 'You spotted snakes with double tongue' is a setting by Jussi Chydenius of words from Shakespeare's A Midsummer Night's Dream. Scored for unaccompanied upper...

From the collection For Him all Stars, 'We Three Camels' is a lighthearted take on the three wise men's journey to find the Christ child. Composed by David Hamilton to a text by acclaimed author Jane...

From the collection For Him all Stars, 'Into this world, this day did come' is a meditative carol by Howard Skempton, scored for SSA unaccompanied. Featuring a frequently-changing time signature and l...

Originally published in John Gardner Carols, this is an evocative piece setting text from the Book of Matthew. Embelished by a mesmerizing oboe solo, the solemn melodies grow in intensity to a triumph...

A tribute to health and care professionals, this lyrical ballad is inspired by the song 'Somewhere over the rainbow', and is for pianists of modest ability and of all ages.

Originally published in Jazz in Autumn, this is an energetic original piece with lively melodies and jazzy harmonies, and is sure to get listeners foot-tapping along to the music.

Originally published in Jazz in Autumn, this is a beautiful original waltz with swung quavers and lilting melodies.

From the collection Jazz in Springtime, 'May Song' is an arrangement of a popular folk tune by celebrated jazz pianist Nikki Iles. Introducing folk harmony while preserving the lyricism of the origina...

From the collection Jazz on a Summer's Day, 'Sundown' is a fun, loping jazz waltz. The laid-back swing is perfectly evocative of a summer's day, and makes an engaging addition to the repertoire of int...

A pupil of Clara Schumann, Leonard Borwich (1868-1925) published this simple and effective transcription of 'Jesu, joy of man's desiring' from Cantata No. 147 in the year of his death. Offprinted from...

This transcription of the Sarabande from the Cello Suite BWV 1008 featuring haunting suspensions was made by Leonard Borwich (1868-1925), who was a pupil of Clara Schumann. Offprinted from OUP's colle...

Bach's tenor aria from Canata No. 4 ('Christ lag in Todes Banden') is reworked and arranged here for piano by Gerald M. Cooper (1892-1947), featuring creative engagement with the original texture. Off...

This mellifluous arrangement of the tenor aria from Cantata No. 85 ('Seht, was die Liebe tut') by Hubert Foss (1899-1953), the first music editor at the Oxford University Press, features a delicate am...

The Siciliano from Bach's Flute Sonata (BWV 1031) is beautifully transcribed here for piano by Edward Krish. Offprinted from OUP's collection Bach Transcriptions for Piano.

This arrangement of 'Sleepers, Wake' by celebrated pianist Myra Hess is a simple treatment of the three-part version from the Schübler publication of the late 1740s, which was Bach's own reworking of...

This is a beautiful arrangment for piano of Bach's Fugue in G minor (BWV 578), originally for organ, by Norah Drewett de Kresz (1882-1960). Offprinted from OUP's collection Bach Transcriptions for Pia...

Was Gott thut, das ist wohlgethan' is the finale to the first part of Cantata No. 75 and is transcribed here for piano by Herbert Murrill (1909-1952), who moved in the same musical circles as Britten...

Commonly known as the 'deathbed chorale', the last of Bach's Great Eighteen Chorale Preludes is carefully arranged for piano here by Dorothea Salmon and was first published in 1932. Originally from th...

This charming transcription of Bach's Pastorella VWV 590 for organ was made by the accomplished composer, conductor and publisher William Gillies Whittaker (1876-1944) in 1929. Offprinted from OUP's c...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this rousing piece is arranged by Robert Gower from Whitlock's orchestral Wesssex Suite, which evokes aspects of summer by th...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this arrangement of the overture to Handel's Saul is created by W. T. Best and Robert Gower. Suitable for players of intermed...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this joyful piece is evocative of a fanfare, and is suitable for players of intermediate to advanced ability.

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this attractive chorale prelude is suitable for players of intermediate to advanced ability.

Originally written for solo piano, Amy Beach's folk-influenced piece is here arranged for organ by Robert Gower. Featuring a lilting melody and serene atmosphere, it is suitable for players of interme...

From the collection The Oxford Book of Ceremonial Music for Organ, Book 2, this theatrical piece was arranged for organ by the composer, from his orchestral score for the music-drama Gold. Suitable fo...