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This is a powerful arrangement that uses the full range of the upper voices. Orchestral material is available on hire.

This is the second and most intimate of the composer's 'Three Latin Motets'. Scored for upper voices, this gentle supplication to the Virgin is built on a plainchant opening, and contains expressive d...

An easy anthem with words and music by the composer. There are four different versions of the vocal parts - unison (or two-part) with keyboard, upper voices with keyboard, SA and Men with piano or SAT...

Setting an uplifting hymn by Timothy Dudley-Smith, I lift my eyes is a rousing anthem that will appeal to all upper-voice choirs. Unison sections are contrasted with imitative writing, and the soaring...

Written at the invitation of Cancer Research UK, Look to the day is a tuneful and uplifting anthem with warm harmonies. The words, written by the composer, project a strong central message of hope, id...

Christ the Lord Is Risen Today is an arrangement of the Easter hymn tune 'Lyra Davidica'. Not to be confused with Rutter's own composition, Christ the Lord is risen again. Brass choir score and parts...

John Rutter's original setting of this popular Easter hymn is resplendent and celebratory, with frequent metre changes that give a fresh feel to these historic words.

Festival hymn with introductory fanfare for mixed choir, brass ensemble , timpani, percussion and organ, or orchestra

Chilcott has re-scored this serene anthem, originally for upper voices, for SAB, making it accessible to choirs with a limited number of male voices. A rich addition to the Choral Evensong repertory,...

There are two versions of the vocal parts - for two-part upper voices with piano or for SATB with organ. An orchestral accompaniment is also available for both versions. Words are from Corinthians 1:1...

This gentle setting has all the tranquillity and grace associated with this ancient text. It is fashioned from a simple rocking theme, which weaves serenely through different keys as the piece unfolds...

This anthem from the larger work Snow Angel is in two halves. The first section ('God Will Give Orders') is ethereal, until a vibrant figure in the djembe lifts the music into the uplifting second sec...

A bright and optimistic benediction contrasting passages of unison writing with homophonic chordal sections. The piece builds to a triumphant conclusion.

The instrumental material is available on hire.

A piano transcription, made by the composer himself, of Rutter's much-loved setting of Mrs C. F. Alexander's famous hymn. Suitable for pianists at early intermediate level, and clearly presented and l...

Full score for John Rutter's arrangement of Joy to the World. The carol is available as both an individual choral leaflet and as part of the Christmas collection Joy to the World; this score is compat...

Elegy, with its warmly expressive tenor-range melodies, is highly suitable for use at funerals, while the cascading joy of Festive Bells makes it perfect as a wedding recessional. Both pieces have tha...

A welcome collection of piano transcriptions, made by the composer, of eight of his best-loved choral pieces, from early classics such as 'The Lord bless you and keep you' to recent gems like 'A flowe...

This work was inspired by the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are underpinned by a delicate piano part, and the opening performance direct...

Set to a popular text by Walter de la Mare, this secular work is an expressive homage to J. S. Bach, combining lyrical vocal lines with a contrapuntal accompaniment.

This expressive celebration of friendship sets a text by Delphine Chalmers inspired by words from French Renaissance essayist Michel de Montaigne. Eminently accessible, this piece is perfect for conce...

The instrumentation is the same as Bach's Brandenburg Concerto No.5. The Suite is made up of six movements ranging from `a Bach-like Aria' to a 'Richard Rodgers-style Waltz'. Rutter's own style comes...

Setting Revelation 21: 1-5, this short anthem is in McGlade's typically fluid style, with harmonic twists, changing metres, and tempo fluctuations. With some divisi in the upper parts, it will be part...

Originally published in Oxford Solo Songs: Sacred, this is an easy anthem with words and music by the composer, scored here for solo low voice and piano (which may be adapted for performance on the or...