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Written in the style of milonga, a type of Argentinian tango, this original composition for flute and piano comes from the collection Flute Globetrotters (with CD backings), which introduces world-mus...

Inspired by the legendary cyclists of the Tour de France, Yellow Jersey is a short wind sprint for two saxophones, originally composed for two clarinets. The form of the piece follows how the sprint w...

A slow movement which explores the beautiful sonorities of saxophones played softly.

I saw three ships is a lively setting of the traditional English text. A simple melody, swapped between the outer voices and answered by altos and tenors, gradually builds to a forte last verse comple...

In A Song of Blue, Chilcott explores the power of music through the metaphor of nature. This piece opens with a glittering ostinato from the piano. The upper voices begin by singing in unison, before...

A movement from In Windsor Forest, setting Shakespeare's text from Much Ado About Nothing, Act II, Scene 3.

Composed during the year between Lance Armstrong's fifth and sixth victories in the Tour de France, Yellow Jersey is a short wind sprint for two clarinets. The form of the piece follows how the sprint...

Field Notes is a compact, one-movement chamber work for oboe, violin, viola, and cello. The work is full of harmonic interest with chromatic and melodic passages shared equally between the parts.

Written at the request of the Lawson Trio, this gracefully structured work contrasts atmospheric lyrical writing with bursts of turbulent fast music, including a rather rough and wild scherzo. The thr...

The piece is a fairly athletic work in three movements. The first and third are very rhythmic, fast, and hauntingly jazz-like in a Miles Davis kind of way. The second movement is quite placid, free fl...

Setting a newly written text by Charles Bennett, Five days that changed the world takes singers on a journey through five historical events: the invention of printing, the abolition of slavery, the fi...

This anthem sets the Oculi omnium gradual to still, reflective music. Including sections of plainchant alongside richer textures and close harmonics, it is a beautiful piece that will appeal to a rang...

Adapted from the Gospels of St Matthew and St Mark, Hosanna to the Son of David is a jubilant anthem with a lively, independent piano part. Adams employs dynamics as a word-painting tool, with a jubil...

La gora di mulino was commissioned for Chamber Music 2000. The Chamber Music 2000 works were designed to be technically easy, but still retain the composers own individuality and musical style. La gor...

In the 1940s and 50s 'four on the floor' referred to a high performance car with a four-speed gearbox and a gear-change mounted on the floor. And that is the characteristic of this piece - fast, loud,...

Nightsongs is a hauntingly atmospheric response to the famous and magically beautiful gardens at Ninfa, created a century or so ago around the remains of an ancient settlement southeast of Rome.

Setting a text by Elizabeth Barratt Browning, this thoughtful and evocative piece compares a dying relationship with the changing of the seasons from summer to winter. Also available in versions for s...

A simple yet subtle and thought-provoking text, written from the perspective of a child present at the Nativity, communicates the wonder of Christ's birth. Orchestral material is on hire.

Gounod's classic Christmas anthem is published here with a new arrangement of the Chorus part for SATB, alongside the Soprano and Alto soloists, Piano and optional Organ/Harmonium.

This arrangement of the well-known Christmas carol uses rich four-part harmonies with some canonic textures. This is an offprint from Benedict Sheehan's musical dramatization of A Christmas Carol.

Written as a surprise present for the Schubert Ensemble in celebration of their 30th anniversary, this playful piece for violin, viola, cello, bass, and piano has light-hearted references to Stravinsk...

This haunting carol comprises a sequence of three rounds. It demonstrates the distinctive clarity of Skempton's musical language. It will particularly appeal to good chamber choirs.