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This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three c...

This original suite sets anonymous instructions found in packaging to general household goods, providing amusing and theatrical highlights as well as musical interplay and formal episodes. The three c...

This joyous and upbeat piece sets a text by Delphine Chalmers full of vivid imagery of childhood memories. Alternation between passages of 4/4 and 7/8 gives a spirited offbeat feel, and the pleasingly...

Originally published as part of the Songbird collection As you sing, this is a thrilling and high-energy piece setting a text by Jennifer Thorp. Young uses body-percussion, sound effects, repeating th...

Michael Higgins's gentle setting of the traditional Gaelic Blessing has a memorable melody, a flowing piano part, and a beautiful, soaring soprano descant in the second verse. Written for the National...

The choir acts both as a singing group and as a drumming group, spinning sung rhythmic patterns into a buoyant accompaniment to the sung text. As the piece progresses, foot-stomping and hand-clapping...

The five-part motet Cum pervenisset beatus Andreas is almost unique in the voci pari repertoire, with notation presented using five treble clefs.

A hoe-down in party mood. No. 1 of Three American Lyrics

This dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The stylistic piano part may be played as written or serve as a guide, a...

This is a beautiful piece setting an evocative text by Anne Brontë that explores natural imagery on a blustery day and the feelings they inspire. Supported by the piano acccompaniment, Quartel's soari...

A short and simple anthem which is full of hope and warmth.

This arrangement was commissioned for the Last Night of the Proms 2006. It is compatible with the SATB version in The Bob Chilcott Songbook; the two arrangements can be sung together. Orchestral mater...

The Face of Peace is a beautiful setting (to an English translation) of verses by the French poet Paul Eluard, written in 1951. Chilcott combines the gentleness of the poem's vision with a cast-iron s...

This enticing choral arrangement of the well-known first 'Polovtsian Dance' from Borodin's Prince Igor juxtaposes the music of a Russian Romantic with text from Act 4 of The Tempest - 'Our revels now...

This vibrant and rhythmic carol sets the traditional French carol text and includes an English singing translation. It is a perfect option for good amateur and professional choirs.

This gentle song is taken from the song cycle 'Songs for Seven Storeys', which Bob Chilcott wrote to celebrate the opening of the New Evelina Children's Hospital on London's South Bank. With a singabl...

This meditative anthem sets words from Isaiah. The overlapping phrases of the sopranos, which float above the sustained organ accompaniment, move gently to a warm climax in the central section. This i...

John Rutter sets this timeless and beloved text from Ecclesiastes with a gently flowing melody. The result is a simple and lovely general anthem that perfectly encapsulates the paired images of the te...

This joyful Lenten anthem sets George Herbert's well-known hymn 'King of glory, King of peace'. Chilcott skilfully weaves the hymn tune 'Gwalchmai', to which this hymn is commonly sung, into the middl...

This captivating carol with words by Kevin Crossley-Holland features satisfyingly rich harmonies and a rippling piano accompaniment that draws inspiration from the water imagery of the text. In the mo...

This piece is a lyrical setting of words by the metaphysical poet Thomas Traherne (1637-74). With a rippling piano accompaniment, melodious vocal lines, and warm harmonies, Chilcott's setting captures...

Composed in 1977, this triumphant setting of words from Psalms 136 and 67 is now published for the first time following the rediscovery of the lost manuscript. Rutter's early style is reminiscent of B...

A chorus from Alexander's Feast.