Partituras para canto
Fly, Butterfly composed by Ray Henderson with words by Buddy De Sylva from the musical George White's Scandals 1925 in the key of C Major arranged for voice and piano.
Fly, Butterfly composed by Ray Henderson with words by Buddy De Sylva from the musical George White's Scandals 1925 in the key of C Major arranged for voice and piano.
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What Do I Care? composed by Sigmund Romberg with words by Harry B. Smith in the key of Eb Major arranged for voice and piano.
What Do I Care? composed by Sigmund Romberg with words by Harry B. Smith in the key of Eb Major arranged for voice and piano.
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Forget All Your Books composed by Burton Lane with words by Howard Dietz and Samuel M. Lerner from the musical Three's A Crowd in the key of F Major arranged for voice and piano.
Forget All Your Books composed by Burton Lane with words by Howard Dietz and Samuel M. Lerner from the musical Three's A Crowd in the key of F Major arranged for voice and piano.
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Lift Up Your Hearts composed by Reginald Morgan with words by Harold Simpson as broadcast and recorded by The Luton Girls' Choir & Gladys Ripley in the key of Eb Major arranged for voice and piano.
Lift Up Your Hearts composed by Reginald Morgan with words by Harold Simpson as broadcast and recorded by The Luton Girls' Choir & Gladys Ripley in the key of Eb Major arranged for voice and piano.
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The Ninepenny Fidil based on an Old Irish Melody arranged by Herbert Hughes with words by Seosamh MacCathmhaoil in the key of G Major arranged for voice and piano.
The Ninepenny Fidil based on an Old Irish Melody arranged by Herbert Hughes with words by Seosamh MacCathmhaoil in the key of G Major arranged for voice and piano.
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As Far As I'm Concerned composed by Seymour Morris from the musical It's The Valet in the key of D Major arranged for voice and piano.
As Far As I'm Concerned composed by Seymour Morris from the musical It's The Valet in the key of D Major arranged for voice and piano.
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Moonlight Kisses composed by Con Conrad with words by Irving Caesar and John Murray Anderson in the key of Eb Major arranged for voice and piano.
Moonlight Kisses composed by Con Conrad with words by Irving Caesar and John Murray Anderson in the key of Eb Major arranged for voice and piano.
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Nightfall At Sea composed by Montague F. Phillips with words by Nancie B. Marsland in the key of Eb Major arranged for voice and piano.
Nightfall At Sea composed by Montague F. Phillips with words by Nancie B. Marsland in the key of Eb Major arranged for voice and piano.
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The Man On The Flying Trapeze composed by Alfred Lee with words by George Leybourne in the key of G Major arranged for voice and piano.
The Man On The Flying Trapeze composed by Alfred Lee with words by George Leybourne in the key of G Major arranged for voice and piano.
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I Like Pie I Like Cake But I Like You Best Of All composed by George A Little, Arthuir Sizemore and Larry Shay in the key of Eb Major arranged for voice and piano.
I Like Pie I Like Cake But I Like You Best Of All composed by George A Little, Arthuir Sizemore and Larry Shay in the key of Eb Major arranged for voice and piano.
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A World Of Wattle composed by Varney Monk in the key of Eb Major arranged for voice and piano.
A World Of Wattle composed by Varney Monk in the key of Eb Major arranged for voice and piano.
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A World Full Of Girls composed by Louis A. Hirsch with words by Earl Derr Biggar from the musical See-Saw in the key of Bb Major arranged for voice and piano.
A World Full Of Girls composed by Louis A. Hirsch with words by Earl Derr Biggar from the musical See-Saw in the key of Bb Major arranged for voice and piano.
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I Belong In Alabam' composed by Milton Ager with words by Joe Young in the key of G Major arranged for voice and piano with guitar chords.
I Belong In Alabam' composed by Milton Ager with words by Joe Young in the key of G Major arranged for voice and piano with guitar chords.
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I Can't Find My Gal composed by Peter De Rose with words by Jo Trent in the key of C Major arranged for voice and piano with ukulele chords.
I Can't Find My Gal composed by Peter De Rose with words by Jo Trent in the key of C Major arranged for voice and piano with ukulele chords.
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Smoke Rings composed by Rudolf Friml with words by Otto Harbach, from the musical play The Blue Kitten in the key of G Major arranged for voice and piano.
Smoke Rings composed by Rudolf Friml with words by Otto Harbach, from the musical play The Blue Kitten in the key of G Major arranged for voice and piano.
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Good For You - Bad For Me composed by Buddy De Sylva, Lew Brown and Ray Henderson, from the musical Flying High in the key of D Major arranged for voice and piano with ukulele chords.
Good For You - Bad For Me composed by Buddy De Sylva, Lew Brown and Ray Henderson, from the musical Flying High in the key of D Major arranged for voice and piano with ukulele chords.
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I'll Know Him composed by Buddy De Sylva, Lew Brown and Ray Henderson, from the musical Flyiing High in the key of C Major arranged for voice and piano with ukulele chords.
I'll Know Him composed by Buddy De Sylva, Lew Brown and Ray Henderson, from the musical Flyiing High in the key of C Major arranged for voice and piano with ukulele chords.
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Be Kind To Little Golf Balls (recitation to music) composed by Herman Finck to a poem by Percy Greenbank in the key of C Major arranged for voice and piano.
Be Kind To Little Golf Balls (recitation to music) composed by Herman Finck to a poem by Percy Greenbank in the key of C Major arranged for voice and piano.
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You Give Me Ideas composed by Jack Waller and Joseph Tunbridge with words by RP Weston and Bert Lee, from Please Teacher in the key of Eb Major arranged for voice and piano.
You Give Me Ideas composed by Jack Waller and Joseph Tunbridge with words by RP Weston and Bert Lee, from Please Teacher in the key of Eb Major arranged for voice and piano.
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Billing And Cooing composed by Jean Gilbert with words by Percy Greenbank, from the musical play Yvonne in the key of F Major arranged for voice and piano.
Billing And Cooing composed by Jean Gilbert with words by Percy Greenbank, from the musical play Yvonne in the key of F Major arranged for voice and piano.
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Be Happy composed by George W. Meyer, from the Black-Birds in the key of Eb Major arranged for voice and piano with ukulele chords.
Be Happy composed by George W. Meyer, from the Black-Birds in the key of Eb Major arranged for voice and piano with ukulele chords.
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The Kiss Was Very, Very Small composed by Robert Stolz with words by Paul Dehn, from Joie De Vivre in the key of Bb Major arranged for voice and piano.
The Kiss Was Very, Very Small composed by Robert Stolz with words by Paul Dehn, from Joie De Vivre in the key of Bb Major arranged for voice and piano.
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Lost Without Your Love composed by Richard Addinsell with words by Arthur MacRae, from Living For Pleasure in the key of G Major arranged for voice and piano.
Lost Without Your Love composed by Richard Addinsell with words by Arthur MacRae, from Living For Pleasure in the key of G Major arranged for voice and piano.
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Fourteen Rollicking Sailors composed by Leslie Sarony in the key of C Major arranged for voice and piano with ukulele chords.
Fourteen Rollicking Sailors composed by Leslie Sarony in the key of C Major arranged for voice and piano with ukulele chords.
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If You're Going Back To Dixie (Mention My Name) composed by Gene McCarthy and Andrew Allen in the key of Bb Major arranged for voice and piano.
If You're Going Back To Dixie (Mention My Name) composed by Gene McCarthy and Andrew Allen in the key of Bb Major arranged for voice and piano.
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Partituras para canto
Los humanos siempre han utilizado su voz para comunicarse, no sólo para hablar, sino también para una gran variedad de otras funciones:
Ya sean llamadas fonéticas silábicas („Juchitzer“ o „Juchzer“) en las montañas para intercambiar información a larga distancia o para llamar a rebaños de ganado (asociado a esto se conoce como „yodelling“), ya sean los cantos rituales o los mantras que acompañan las ceremonias sagradas, ya sean los interminables cantos rítmicos que facilitan el trabajo en grupo en el campo, ya sean las canciones juglarescas de la Edad Media, con cuya ayuda se cortejaba el favor de las nobles damas en una especie de competición caballeresca (quizá osadamente comparables a las danzas de cortejo de las aves del paraíso, por ejemplo) – la necesidad de expresarnos de un modo tonal más allá del lenguaje está probablemente en nosotros desde que nacemos y puede adoptar las formas más diversas. Es difícil imaginar no haber entrado en contacto con el canto a lo largo de la vida o haber cantado uno mismo; desde el simple canción de cuna vía canciones infantiles en el KiTa, canciones de senderismo y de hogueras para excursiones escolares o de grupos de jóvenes, cantos de iglesia, el canto a lo largo de Radio-Hits, los primeros casetes/CDs/discos, cantando canciones en una banda o coro a personas que quieren profundizar en su canto y quieren aprender a cantar Liedgesang, Canto de ópera, Musical-intérprete o Rock- / Pop- / Schlagersänger:in licenciado.
El mundo del canto es enorme
– y también lo es nuestra gama de partituras vocales para él. Porque no siempre se puede aprender una canción, un aria o una parte coral con sólo escucharla.Ya sea clásica o moderna: En más de 36.000 partituras vocales de todos los estilos, géneros y editoriales, te ofrecemos no sólo
- Escuelas de canto, Stimmbildungs-, métodos de canto a la hoja y enseñando canciones para todas las edades
- canto solista, Duette o Terzette y más cantantes:inside,
- Canciones
- Clásico, Opera, Música de iglesia, Gospel, Jazz, Chanson, Schlager, Volksmusik ...
- notas para bodas, Partituras para casos de luto, Notas de Partituras de películas, Partituras de Navidad
también partituras para
además de una amplia gama de literatura vocal de
y
Como no es posible enumerar aquí todos los estilos, géneros y categorías de nuestras partituras vocales, ¡le invitamos a utilizar nuestras diversas opciones de filtro!