Partituras para canto
Lazy Lou'siana Moon, written by Walter Donaldson, arranged for voice and piano.
Lazy Lou'siana Moon, written by Walter Donaldson, arranged for voice and piano.
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Little Miss Okeechobee Oh Be Mine, written by Walter Donaldson, arranged for voice and piano.
Little Miss Okeechobee Oh Be Mine, written by Walter Donaldson, arranged for voice and piano.
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Love Letters, written by Walter Donaldson with words by Gus Kahn, arranged for voice and piano.
Love Letters, written by Walter Donaldson with words by Gus Kahn, arranged for voice and piano.
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When You Said Goodnight (Did You Really Mean Goodbye), written by Walter Doanldson, arranged for voice and piano.
When You Said Goodnight (Did You Really Mean Goodbye), written by Walter Doanldson, arranged for voice and piano.
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You're In Love And I'm In Love, written by Walter Donaldson, arranged for voice and piano.
You're In Love And I'm In Love, written by Walter Donaldson, arranged for voice and piano.
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A Transport Of Delight (The Omnibus), written by Donald Swann with words by Michael Flanders, arranged for voice and piano.
A Transport Of Delight (The Omnibus), written by Donald Swann with words by Michael Flanders, arranged for voice and piano.
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Any Dirty Work To-day ? written and composed by Bert Lee and RP Weston, as performed by George Carney, arranged for voice and piano.
Any Dirty Work To-day ? written and composed by Bert Lee and RP Weston, as performed by George Carney, arranged for voice and piano.
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I Might Learn To Love Him Later On, written and composed by Bert Lee and RP Weston, as performed by Miss Violet Loraine, arranged for voice and piano.
I Might Learn To Love Him Later On, written and composed by Bert Lee and RP Weston, as performed by Miss Violet Loraine, arranged for voice and piano.
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Mother Machree, written by Chauncey Olcott and Ernest R Ball with words by Rida Johsnon Young, arranged for voice and piano.
Mother Machree, written by Chauncey Olcott and Ernest R Ball with words by Rida Johsnon Young, arranged for voice and piano.
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Being Different, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Being Different, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Another Time, Another Place, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Another Time, Another Place, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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And You Don't Even Know It, from Everybody's Talking About Jamie. Arranged for piano and voice with guitar chords in digital sheet music format.
And You Don't Even Know It, from Everybody's Talking About Jamie. Arranged for piano and voice with guitar chords in digital sheet music format.
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In Our Hands, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
In Our Hands, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Making A Home, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Making A Home, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Maybe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Maybe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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We Are The Children Of Europe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
We Are The Children Of Europe, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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We Will Smile, We Will Sing, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
We Will Smile, We Will Sing, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Whatever I Do, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
Whatever I Do, composed by Lin Marsh, taken from 'Songscape Assembly' arranged for voice and piano.
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Somebody Stole My Gal, written by Leo Wood, arranged for voice and piano.
Somebody Stole My Gal, written by Leo Wood, arranged for voice and piano.
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The Pretty Miss Brown, composed by Richard Addinsell with words by Arthur MacRae, from Living For Pleasure in the key of F Major arranged for voice and piano.
The Pretty Miss Brown, composed by Richard Addinsell with words by Arthur MacRae, from Living For Pleasure in the key of F Major arranged for voice and piano.
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Under A Blanket Of Blue, written by Jerry Levinson with words by Marty Symes and Al J Neiburg, arranged for voice and piano.
Under A Blanket Of Blue, written by Jerry Levinson with words by Marty Symes and Al J Neiburg, arranged for voice and piano.
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Give Me A Carriage With Eight White Horses, written by Fred Elton and Berl Rotfeld, as recorded by Dickie Valentine, arranged for voice and piano.
Give Me A Carriage With Eight White Horses, written by Fred Elton and Berl Rotfeld, as recorded by Dickie Valentine, arranged for voice and piano.
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Glen Echo (Will Ye No Come Home?), written by Harry Parr-Davies: with words by Michael Carr, arranged for voice and piano.
Glen Echo (Will Ye No Come Home?), written by Harry Parr-Davies: with words by Michael Carr, arranged for voice and piano.
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Miss Furr and Miss Skeene (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
Miss Furr and Miss Skeene (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
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Miss Furr and Miss Skeene: Introduction (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
Miss Furr and Miss Skeene: Introduction (from 'Loving Repeating'), written by Stephen Flaherty with words by Gertrude Stein, arranged for voice and piano.
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Partituras para canto
Los humanos siempre han utilizado su voz para comunicarse, no sólo para hablar, sino también para una gran variedad de otras funciones:
Ya sean llamadas fonéticas silábicas („Juchitzer“ o „Juchzer“) en las montañas para intercambiar información a larga distancia o para llamar a rebaños de ganado (asociado a esto se conoce como „yodelling“), ya sean los cantos rituales o los mantras que acompañan las ceremonias sagradas, ya sean los interminables cantos rítmicos que facilitan el trabajo en grupo en el campo, ya sean las canciones juglarescas de la Edad Media, con cuya ayuda se cortejaba el favor de las nobles damas en una especie de competición caballeresca (quizá osadamente comparables a las danzas de cortejo de las aves del paraíso, por ejemplo) – la necesidad de expresarnos de un modo tonal más allá del lenguaje está probablemente en nosotros desde que nacemos y puede adoptar las formas más diversas. Es difícil imaginar no haber entrado en contacto con el canto a lo largo de la vida o haber cantado uno mismo; desde el simple canción de cuna vía canciones infantiles en el KiTa, canciones de senderismo y de hogueras para excursiones escolares o de grupos de jóvenes, cantos de iglesia, el canto a lo largo de Radio-Hits, los primeros casetes/CDs/discos, cantando canciones en una banda o coro a personas que quieren profundizar en su canto y quieren aprender a cantar Liedgesang, Canto de ópera, Musical-intérprete o Rock- / Pop- / Schlagersänger:in licenciado.
El mundo del canto es enorme
– y también lo es nuestra gama de partituras vocales para él. Porque no siempre se puede aprender una canción, un aria o una parte coral con sólo escucharla.Ya sea clásica o moderna: En más de 36.000 partituras vocales de todos los estilos, géneros y editoriales, te ofrecemos no sólo
- Escuelas de canto, Stimmbildungs-, métodos de canto a la hoja y enseñando canciones para todas las edades
- canto solista, Duette o Terzette y más cantantes:inside,
- Canciones
- Clásico, Opera, Música de iglesia, Gospel, Jazz, Chanson, Schlager, Volksmusik ...
- notas para bodas, Partituras para casos de luto, Notas de Partituras de películas, Partituras de Navidad
también partituras para
además de una amplia gama de literatura vocal de
y
Como no es posible enumerar aquí todos los estilos, géneros y categorías de nuestras partituras vocales, ¡le invitamos a utilizar nuestras diversas opciones de filtro!