Partituras para canto
Joseph Haydn composed a large number of songs that were pushed somewhat into the background in contrast to his other works, but are nevertheless of the highest quality. This volume contains all his ve...
Joseph Haydn composed a large number of songs that were pushed somewhat into the background in contrast to his other works, but are nevertheless of the highest quality. This volume contains all his ve...
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The famous ancient legend of Princess Ariadne, who is forsaken by her beloved Theseus, is a favourite subject in the history of opera. In his Italian solo cantata 'Arianna a Naxos', probably written i...
The famous ancient legend of Princess Ariadne, who is forsaken by her beloved Theseus, is a favourite subject in the history of opera. In his Italian solo cantata 'Arianna a Naxos', probably written i...
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Carlo Francesco Badini (1715-1810) worked for a long time as a librettist at London's Italian opera house. In 1791, he wrote the text to Joseph Haydn's last opera 'L'anima del filosofo, ossia Orfeo ed...
Carlo Francesco Badini (1715-1810) worked for a long time as a librettist at London's Italian opera house. In 1791, he wrote the text to Joseph Haydn's last opera 'L'anima del filosofo, ossia Orfeo ed...
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It is hard to believe that all of the five works included in this edition were previously unknown to musicians. So there are in fact unknown works by Beethoven for singers to discover! The five short...
It is hard to believe that all of the five works included in this edition were previously unknown to musicians. So there are in fact unknown works by Beethoven for singers to discover! The five short...
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Schumann was the first to set a complete cycle of Heinrich Heine's poems to music. His literary 'forks of lightning' had already fascinated Schumann when he was 17 years old. However, he only wrote op...
Schumann was the first to set a complete cycle of Heinrich Heine's poems to music. His literary 'forks of lightning' had already fascinated Schumann when he was 17 years old. However, he only wrote op...
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I would like to sing myself to death like a nightingale' - 1840, Schumann's most prolific 'song year', was marked by great private upheaval. He was only able to finally marry Clara in September after...
I would like to sing myself to death like a nightingale' - 1840, Schumann's most prolific 'song year', was marked by great private upheaval. He was only able to finally marry Clara in September after...
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1840 was Schumann's famous 'year of song' that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated 'to his dear bride', Clara Wieck-Schumann. Besides famous songs such as '...
1840 was Schumann's famous 'year of song' that brought forth over 100 lieder. They included Myrthen op. 25, which he dedicated 'to his dear bride', Clara Wieck-Schumann. Besides famous songs such as '...
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- Partitura de piano (Urtext)
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To whom did Beethoven address this song cycle 'An die ferne Geliebte' ('To the Distant Beloved'), which he completed at the age of 45 in April 1816? Was it to the same person, to whom his passionate l...
To whom did Beethoven address this song cycle 'An die ferne Geliebte' ('To the Distant Beloved'), which he completed at the age of 45 in April 1816? Was it to the same person, to whom his passionate l...
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Complete edition linen
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From the outset, Johann Wolfgang von Goethe intended music to play a role in his tragedy 'Egmont', which takes place during the uprising of the Dutch against Spanish dominion in the 16th century. Ludw...
From the outset, Johann Wolfgang von Goethe intended music to play a role in his tragedy 'Egmont', which takes place during the uprising of the Dutch against Spanish dominion in the 16th century. Ludw...
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The origin of this concert aria, which is a core piece in the singer's repertoire, is swathed in mystery. We still do not know where Beethoven found the text for the aria. The text for the recitative...
The origin of this concert aria, which is a core piece in the singer's repertoire, is swathed in mystery. We still do not know where Beethoven found the text for the aria. The text for the recitative...
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20 Songs on Poems by Eichendorff (G. & E.) Original keys
20 Songs on Poems by Eichendorff (G. & E.) Original keys
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65 Songs. Selected by SERGIUS KAGEN (G. & E.)
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65 Songs. Selected by SERGIUS KAGEN (G. & E.)
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The edition is part of the Trinity syllabus 2007 (grade performer's certificate & 8)
The edition is part of the Trinity syllabus 2007 (grade performer's certificate & 8)
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The edition is part of the Trinity syllabus 2007 (grade 7)
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The edition is part of the ABRSM syllabus (grade 6,7,8)
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43 Songs. Edited by SERGIUS KAGEN (F. & E.)
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Songs published separately: Ariettes oubliées (F. & E.):
Songs published separately: Ariettes oubliées (F. & E.):
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Fetes galantes. Series II (F. & E.):
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24 Songs in Four Volumes (G. &. E.)
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These albums are a comprehensive selection of the best known songs of BRAHMS that never have been equalled in its scope. The low voice album also contains the Four Serious Songs.
These albums are a comprehensive selection of the best known songs of BRAHMS that never have been equalled in its scope. The low voice album also contains the Four Serious Songs.
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Partituras para canto
Los humanos siempre han utilizado su voz para comunicarse, no sólo para hablar, sino también para una gran variedad de otras funciones:
Ya sean llamadas fonéticas silábicas („Juchitzer“ o „Juchzer“) en las montañas para intercambiar información a larga distancia o para llamar a rebaños de ganado (asociado a esto se conoce como „yodelling“), ya sean los cantos rituales o los mantras que acompañan las ceremonias sagradas, ya sean los interminables cantos rítmicos que facilitan el trabajo en grupo en el campo, ya sean las canciones juglarescas de la Edad Media, con cuya ayuda se cortejaba el favor de las nobles damas en una especie de competición caballeresca (quizá osadamente comparables a las danzas de cortejo de las aves del paraíso, por ejemplo) – la necesidad de expresarnos de un modo tonal más allá del lenguaje está probablemente en nosotros desde que nacemos y puede adoptar las formas más diversas. Es difícil imaginar no haber entrado en contacto con el canto a lo largo de la vida o haber cantado uno mismo; desde el simple canción de cuna vía canciones infantiles en el KiTa, canciones de senderismo y de hogueras para excursiones escolares o de grupos de jóvenes, cantos de iglesia, el canto a lo largo de Radio-Hits, los primeros casetes/CDs/discos, cantando canciones en una banda o coro a personas que quieren profundizar en su canto y quieren aprender a cantar Liedgesang, Canto de ópera, Musical-intérprete o Rock- / Pop- / Schlagersänger:in licenciado.
El mundo del canto es enorme
– y también lo es nuestra gama de partituras vocales para él. Porque no siempre se puede aprender una canción, un aria o una parte coral con sólo escucharla.Ya sea clásica o moderna: En más de 36.000 partituras vocales de todos los estilos, géneros y editoriales, te ofrecemos no sólo
- Escuelas de canto, Stimmbildungs-, métodos de canto a la hoja y enseñando canciones para todas las edades
- canto solista, Duette o Terzette y más cantantes:inside,
- Canciones
- Clásico, Opera, Música de iglesia, Gospel, Jazz, Chanson, Schlager, Volksmusik ...
- notas para bodas, Partituras para casos de luto, Notas de Partituras de películas, Partituras de Navidad
también partituras para
además de una amplia gama de literatura vocal de
y
Como no es posible enumerar aquí todos los estilos, géneros y categorías de nuestras partituras vocales, ¡le invitamos a utilizar nuestras diversas opciones de filtro!