Partituras para canto
This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....
This atmospheric setting of familiar words from Shakespeare's As You Like It is sprightly and uplifting, with singers being asked by the composer to perform with 'a bit of frost and a knowing smile'....
- Voz (grave) y piano
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- Oxford University Press
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Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.
Set to words by the Estonian poet Doris Kareva, Our flags are wafting in hope and grief is a humanist anthem to the power of conviction and community in times of social turmoil.
- Voz (grave) y piano
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- Oxford University Press
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A simple, delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Perfect for concert use. Also available in versions for solo low voice and SSA.
A simple, delightful setting of a Yeats poem which embraces nature's beauty and the secret joy of solitude. Perfect for concert use. Also available in versions for solo low voice and SSA.
- Voz (grave) y piano
- Partituras para descargar
- Oxford University Press
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This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment.
This tender piece was composed in memory of the victims of Fukushima in 2011. It is both reflective and heartfelt, with a simple, appealing melody, rich harmonies, and a flowing accompaniment.
- Voz (grave) y piano
- Partituras para descargar
- Oxford University Press
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The Christmas motet Ex ore infantium was published with an organ continuo accompaniment, but the piece works equally well unaccompanied. The alternation of busy rhythmic writing with homophonic statem...
The Christmas motet Ex ore infantium was published with an organ continuo accompaniment, but the piece works equally well unaccompanied. The alternation of busy rhythmic writing with homophonic statem...
- Voz (grave) y piano
- Partituras para descargar
- Oxford University Press
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An old French carol with optional English lyrics included in the score. Orchestral scores and parts are also available. Offprinted from the collection Eight Christmas Carols Set 2.
An old French carol with optional English lyrics included in the score. Orchestral scores and parts are also available. Offprinted from the collection Eight Christmas Carols Set 2.
- Voz (grave) y piano
- Partituras para descargar
- Oxford University Press
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An unaccompanied motet dedicated to Hubert Parry, setting text by the English poet John Skelton (c.1463-1529).
An unaccompanied motet dedicated to Hubert Parry, setting text by the English poet John Skelton (c.1463-1529).
- Voz (grave) y piano
- Partituras para descargar
- Oxford University Press
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The suggested programming for this anthem is ceremonies celebrating Jesus such as Ascension, Feast of Christ the King, and the Fourth Sunday in Advent. Some small changes were made to the dispensation...
The suggested programming for this anthem is ceremonies celebrating Jesus such as Ascension, Feast of Christ the King, and the Fourth Sunday in Advent. Some small changes were made to the dispensation...
- Voz (grave) y piano
- Partituras para descargar
- Oxford University Press
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This sensitive arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunc...
This sensitive arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunc...
- Voz (grave) y piano
- Partituras para descargar
- Oxford University Press
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Salisbury Vespers combines settings of the traditional Vespers psalms and anonymous early texts. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the...
Salisbury Vespers combines settings of the traditional Vespers psalms and anonymous early texts. Marian motets punctuate the psalm settings, and the work is concluded with a substantial setting of the...
- Voz (grave) y piano
- Partituras para descargar
- Oxford University Press
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An easy and original setting with an extremely memorable tune of the well-known Rossetti text. Also available in versions for solo high voice, upper voices, and mixed voices.
An easy and original setting with an extremely memorable tune of the well-known Rossetti text. Also available in versions for solo high voice, upper voices, and mixed voices.
- Voz (grave) y piano
- Partituras para descargar
- Oxford University Press
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In this passionate four-movement work, composer Bob Chilcott and lyricist Delphine Chalmers explore themes of inclusivity, identity, and unity. Songs my Heart has Taught Me brings singers and audience...
In this passionate four-movement work, composer Bob Chilcott and lyricist Delphine Chalmers explore themes of inclusivity, identity, and unity. Songs my Heart has Taught Me brings singers and audience...
- Voz (grave) y piano
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- Oxford University Press
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Comprising four separate 'Lamentations', this work takes its text from John Donne's The Lamentations of Jeremy, and is set in Howard Skempton's characteristic pared-down style.
Comprising four separate 'Lamentations', this work takes its text from John Donne's The Lamentations of Jeremy, and is set in Howard Skempton's characteristic pared-down style.
- Voz (grave) y tiorba
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- Oxford University Press
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for Low Voice- well-known collection of 21 arias (some including recitatives)- ideal introduction to singing in Italian- varied selection of operatic arias movements from solo cantatas and songs- also...
for Low Voice- well-known collection of 21 arias (some including recitatives)- ideal introduction to singing in Italian- varied selection of operatic arias movements from solo cantatas and songs- also...
- Voz (grave) y piano
- Partituras
- ABRSM Publishing
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disponible en 1-2 semanas
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- Editions Choudens
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disponible en 3-4 semanas
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- Editions Choudens
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A Century of English Song Volume 8 13 songs for medium/low female voice and piano - 56 pages Arthur Somervell: Come to me in my dreams; Granville Bantock: Lament of Isis; Samuel Coleridge-Taylor: The...
A Century of English Song Volume 8 13 songs for medium/low female voice and piano - 56 pages Arthur Somervell: Come to me in my dreams; Granville Bantock: Lament of Isis; Samuel Coleridge-Taylor: The...
- Voz (media) y piano
- Partituras
- Association of English Singers & Speakers (AESS)
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disponible en 3-4 semanas
A Century of English Song Volume 10 Fourteen songs for medium/low voice and piano - 60 pages Edward German: Of All the Tribe of Tegumai; Martin Shaw: Cargoes; Francis George Scott: Ane Sang of the Bir...
A Century of English Song Volume 10 Fourteen songs for medium/low voice and piano - 60 pages Edward German: Of All the Tribe of Tegumai; Martin Shaw: Cargoes; Francis George Scott: Ane Sang of the Bir...
- Voz (media) y piano
- Partituras
- Association of English Singers & Speakers (AESS)
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disponible en 3-4 semanas
Partituras para canto
Los humanos siempre han utilizado su voz para comunicarse, no sólo para hablar, sino también para una gran variedad de otras funciones:
Ya sean llamadas fonéticas silábicas („Juchitzer“ o „Juchzer“) en las montañas para intercambiar información a larga distancia o para llamar a rebaños de ganado (asociado a esto se conoce como „yodelling“), ya sean los cantos rituales o los mantras que acompañan las ceremonias sagradas, ya sean los interminables cantos rítmicos que facilitan el trabajo en grupo en el campo, ya sean las canciones juglarescas de la Edad Media, con cuya ayuda se cortejaba el favor de las nobles damas en una especie de competición caballeresca (quizá osadamente comparables a las danzas de cortejo de las aves del paraíso, por ejemplo) – la necesidad de expresarnos de un modo tonal más allá del lenguaje está probablemente en nosotros desde que nacemos y puede adoptar las formas más diversas. Es difícil imaginar no haber entrado en contacto con el canto a lo largo de la vida o haber cantado uno mismo; desde el simple canción de cuna vía canciones infantiles en el KiTa, canciones de senderismo y de hogueras para excursiones escolares o de grupos de jóvenes, cantos de iglesia, el canto a lo largo de Radio-Hits, los primeros casetes/CDs/discos, cantando canciones en una banda o coro a personas que quieren profundizar en su canto y quieren aprender a cantar Liedgesang, Canto de ópera, Musical-intérprete o Rock- / Pop- / Schlagersänger:in licenciado.
El mundo del canto es enorme
– y también lo es nuestra gama de partituras vocales para él. Porque no siempre se puede aprender una canción, un aria o una parte coral con sólo escucharla.Ya sea clásica o moderna: En más de 36.000 partituras vocales de todos los estilos, géneros y editoriales, te ofrecemos no sólo
- Escuelas de canto, Stimmbildungs-, métodos de canto a la hoja y enseñando canciones para todas las edades
- canto solista, Duette o Terzette y más cantantes:inside,
- Canciones
- Clásico, Opera, Música de iglesia, Gospel, Jazz, Chanson, Schlager, Volksmusik ...
- notas para bodas, Partituras para casos de luto, Notas de Partituras de películas, Partituras de Navidad
también partituras para
además de una amplia gama de literatura vocal de
y
Como no es posible enumerar aquí todos los estilos, géneros y categorías de nuestras partituras vocales, ¡le invitamos a utilizar nuestras diversas opciones de filtro!