Partituras para canto
A Beaded Bag composed by Sigmund Romberg and Jean Schwartz with words by Alex Gerber in the key of F Major arranged for voice and piano.
A Beaded Bag composed by Sigmund Romberg and Jean Schwartz with words by Alex Gerber in the key of F Major arranged for voice and piano.
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Vocalise No. 1 (Voix elevees) composed by Henri Bedex and Pierre Duclos in the key of F Major arranged for voice and piano.
Vocalise No. 1 (Voix elevees) composed by Henri Bedex and Pierre Duclos in the key of F Major arranged for voice and piano.
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Vocalise No. 2 (Voix moyennes) composed by Henri Bedex and Pierre Duclos in the key of Ab Major arranged for voice and piano.
Vocalise No. 2 (Voix moyennes) composed by Henri Bedex and Pierre Duclos in the key of Ab Major arranged for voice and piano.
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Vocalise No. 3 (Voix graves) composed by Henri Bedex and Pierre Duclos in the key of A Major arranged for voice and piano.
Vocalise No. 3 (Voix graves) composed by Henri Bedex and Pierre Duclos in the key of A Major arranged for voice and piano.
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I'll Never Forget I Love You composed by Joe Sanders and Eddie Edwards in the key of Eb Major arranged for voice and piano.
I'll Never Forget I Love You composed by Joe Sanders and Eddie Edwards in the key of Eb Major arranged for voice and piano.
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Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of Ab major arranged for vocal duet and piano.
Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of Ab major arranged for vocal duet and piano.
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Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of F major arranged for voice and piano.
Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of F major arranged for voice and piano.
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Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of G major arranged for voice and piano.
Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of G major arranged for voice and piano.
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Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of Eb major arranged for voice and piano.
Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of Eb major arranged for voice and piano.
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Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of Bb major arranged for voice and piano.
Bonnie Banks O'Loch Lomond composed and with words by Wallace Campbell in the key of Bb major arranged for voice and piano.
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The Bolshies Song composed by Bob Alden with words by Ronald Jeans in the key of A major arranged for voice and piano.
The Bolshies Song composed by Bob Alden with words by Ronald Jeans in the key of A major arranged for voice and piano.
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Blue Filey Bay composed by Cuthbert Clarke with words by Percy Pinkerton in the key of G major arranged for voice and piano.
Blue Filey Bay composed by Cuthbert Clarke with words by Percy Pinkerton in the key of G major arranged for voice and piano.
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A Blackbird In The Dawn composed by Alan Colville with words by Bryan Courage in the key of Ab Major arranged for voice and piano.
A Blackbird In The Dawn composed by Alan Colville with words by Bryan Courage in the key of Ab Major arranged for voice and piano.
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A Brittany Love Song composed by Harold Fraser-Simson with words by Edward Lockton in the key of C Major arranged for voice and piano.
A Brittany Love Song composed by Harold Fraser-Simson with words by Edward Lockton in the key of C Major arranged for voice and piano.
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A Bunch Of White Heather composed by Guy Jones with words by C.H. Bovill from the play with music "The Gay Gordons" in the key of G Major arranged for voice and piano.
A Bunch Of White Heather composed by Guy Jones with words by C.H. Bovill from the play with music "The Gay Gordons" in the key of G Major arranged for voice and piano.
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Boodle, a vocal fox-trot from the new musical play Boodle, composed by Jack Buchanan with words by Douglas Furber in the key of Eb major arranged for voice and piano.
Boodle, a vocal fox-trot from the new musical play Boodle, composed by Jack Buchanan with words by Douglas Furber in the key of Eb major arranged for voice and piano.
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Go South composed by Richard Myers with words by Owen Murphy from the musical Greenwich Village Follies in the key of Eb Major arranged for voice and piano.
Go South composed by Richard Myers with words by Owen Murphy from the musical Greenwich Village Follies in the key of Eb Major arranged for voice and piano.
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The Grand Opera Ball composed by Raymond Hubbell with words by R.H. Burnside from Better Times in the key of Eb Major arranged for voice and piano.
The Grand Opera Ball composed by Raymond Hubbell with words by R.H. Burnside from Better Times in the key of Eb Major arranged for voice and piano.
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Fly, Butterfly composed by Ray Henderson with words by Buddy De Sylva from the musical George White's Scandals 1925 in the key of C Major arranged for voice and piano.
Fly, Butterfly composed by Ray Henderson with words by Buddy De Sylva from the musical George White's Scandals 1925 in the key of C Major arranged for voice and piano.
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What Do I Care? composed by Sigmund Romberg with words by Harry B. Smith in the key of Eb Major arranged for voice and piano.
What Do I Care? composed by Sigmund Romberg with words by Harry B. Smith in the key of Eb Major arranged for voice and piano.
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Forget All Your Books composed by Burton Lane with words by Howard Dietz and Samuel M. Lerner from the musical Three's A Crowd in the key of F Major arranged for voice and piano.
Forget All Your Books composed by Burton Lane with words by Howard Dietz and Samuel M. Lerner from the musical Three's A Crowd in the key of F Major arranged for voice and piano.
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Lift Up Your Hearts composed by Reginald Morgan with words by Harold Simpson as broadcast and recorded by The Luton Girls' Choir & Gladys Ripley in the key of Eb Major arranged for voice and piano.
Lift Up Your Hearts composed by Reginald Morgan with words by Harold Simpson as broadcast and recorded by The Luton Girls' Choir & Gladys Ripley in the key of Eb Major arranged for voice and piano.
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The Ninepenny Fidil based on an Old Irish Melody arranged by Herbert Hughes with words by Seosamh MacCathmhaoil in the key of G Major arranged for voice and piano.
The Ninepenny Fidil based on an Old Irish Melody arranged by Herbert Hughes with words by Seosamh MacCathmhaoil in the key of G Major arranged for voice and piano.
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As Far As I'm Concerned composed by Seymour Morris from the musical It's The Valet in the key of D Major arranged for voice and piano.
As Far As I'm Concerned composed by Seymour Morris from the musical It's The Valet in the key of D Major arranged for voice and piano.
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Moonlight Kisses composed by Con Conrad with words by Irving Caesar and John Murray Anderson in the key of Eb Major arranged for voice and piano.
Moonlight Kisses composed by Con Conrad with words by Irving Caesar and John Murray Anderson in the key of Eb Major arranged for voice and piano.
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Partituras para canto
Los humanos siempre han utilizado su voz para comunicarse, no sólo para hablar, sino también para una gran variedad de otras funciones:
Ya sean llamadas fonéticas silábicas („Juchitzer“ o „Juchzer“) en las montañas para intercambiar información a larga distancia o para llamar a rebaños de ganado (asociado a esto se conoce como „yodelling“), ya sean los cantos rituales o los mantras que acompañan las ceremonias sagradas, ya sean los interminables cantos rítmicos que facilitan el trabajo en grupo en el campo, ya sean las canciones juglarescas de la Edad Media, con cuya ayuda se cortejaba el favor de las nobles damas en una especie de competición caballeresca (quizá osadamente comparables a las danzas de cortejo de las aves del paraíso, por ejemplo) – la necesidad de expresarnos de un modo tonal más allá del lenguaje está probablemente en nosotros desde que nacemos y puede adoptar las formas más diversas. Es difícil imaginar no haber entrado en contacto con el canto a lo largo de la vida o haber cantado uno mismo; desde el simple canción de cuna vía canciones infantiles en el KiTa, canciones de senderismo y de hogueras para excursiones escolares o de grupos de jóvenes, cantos de iglesia, el canto a lo largo de Radio-Hits, los primeros casetes/CDs/discos, cantando canciones en una banda o coro a personas que quieren profundizar en su canto y quieren aprender a cantar Liedgesang, Canto de ópera, Musical-intérprete o Rock- / Pop- / Schlagersänger:in licenciado.
El mundo del canto es enorme
– y también lo es nuestra gama de partituras vocales para él. Porque no siempre se puede aprender una canción, un aria o una parte coral con sólo escucharla.Ya sea clásica o moderna: En más de 36.000 partituras vocales de todos los estilos, géneros y editoriales, te ofrecemos no sólo
- Escuelas de canto, Stimmbildungs-, métodos de canto a la hoja y enseñando canciones para todas las edades
- canto solista, Duette o Terzette y más cantantes:inside,
- Canciones
- Clásico, Opera, Música de iglesia, Gospel, Jazz, Chanson, Schlager, Volksmusik ...
- notas para bodas, Partituras para casos de luto, Notas de Partituras de películas, Partituras de Navidad
también partituras para
además de una amplia gama de literatura vocal de
y
Como no es posible enumerar aquí todos los estilos, géneros y categorías de nuestras partituras vocales, ¡le invitamos a utilizar nuestras diversas opciones de filtro!