Partituras para canto
Wake Me, O Wake Me (from 'Girlfriends') music and lyrics by Howard Goodall, book by Howard Goodall, Richard Curtis and John Retallack. Arranged for voice and piano in digital sheet music format.
Wake Me, O Wake Me (from 'Girlfriends') music and lyrics by Howard Goodall, book by Howard Goodall, Richard Curtis and John Retallack. Arranged for voice and piano in digital sheet music format.
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The Song of the English Volunteer by Howard Goodall - arranged for male voices in piano/vocal format.
The Song of the English Volunteer by Howard Goodall - arranged for male voices in piano/vocal format.
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Champagne, written by Noel Coward with music by Norah Blaney, from 'Waiting In The Wings', arranged for voice and piano.
Champagne, written by Noel Coward with music by Norah Blaney, from 'Waiting In The Wings', arranged for voice and piano.
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Come The Wild, Wild Weather, written by Noel Coward, from 'Waiting In The Wings', arranged for voice and piano.
Come The Wild, Wild Weather, written by Noel Coward, from 'Waiting In The Wings', arranged for voice and piano.
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Here's To The Next Time, written by Henry Hall with words by Margery Lawrence, arranged for voice and piano.
Here's To The Next Time, written by Henry Hall with words by Margery Lawrence, arranged for voice and piano.
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I Hear A Shepherd's Pigborn, from 'Two Songs Of The Welsh Mountains', written by WS Gwynn Williams and arranged for voice and piano.
I Hear A Shepherd's Pigborn, from 'Two Songs Of The Welsh Mountains', written by WS Gwynn Williams and arranged for voice and piano.
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It's The Ring Your Mother Wore, written by Norman Allen and arranged for voice and piano.
It's The Ring Your Mother Wore, written by Norman Allen and arranged for voice and piano.
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My Little Welsh Home, from 'Two Songs Of The Welsh Mountains', written by WS Gwynn Williams and arranged for voice and piano.
My Little Welsh Home, from 'Two Songs Of The Welsh Mountains', written by WS Gwynn Williams and arranged for voice and piano.
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Time And Again, written by Noel Coward and arranged for voice and piano.
Time And Again, written by Noel Coward and arranged for voice and piano.
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I'll Follow My Secret Heart, written by Noel Coward, taken from 'Conversation Piece', arranged for voice and piano.
I'll Follow My Secret Heart, written by Noel Coward, taken from 'Conversation Piece', arranged for voice and piano.
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I'd Rather Charleston, written by George Gershwin with words by Desmond Carter, from the musical comedy 'Lady Be Good!', arranged for voice and piano.
I'd Rather Charleston, written by George Gershwin with words by Desmond Carter, from the musical comedy 'Lady Be Good!', arranged for voice and piano.
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In The Rain, written by George Gershwin with words by Clifford Grey, from 'The Rainbow', arranged for voice and piano.
In The Rain, written by George Gershwin with words by Clifford Grey, from 'The Rainbow', arranged for voice and piano.
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Innocent Lonesome Blue Baby, written by George Gershwin and William Daly with words by Clifford Grey and Brian Hooker, from 'The Rainbow', arranged for voice and piano.
Innocent Lonesome Blue Baby, written by George Gershwin and William Daly with words by Clifford Grey and Brian Hooker, from 'The Rainbow', arranged for voice and piano.
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Isn't It Wonderful, written by George Gershwin with words by Desmond Carter and Ira Gershwin, from the musical comedy 'Primrose', arranged for voice and piano.
Isn't It Wonderful, written by George Gershwin with words by Desmond Carter and Ira Gershwin, from the musical comedy 'Primrose', arranged for voice and piano.
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It's A Great Little World, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Tip-Toes', arranged for voice and piano.
It's A Great Little World, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Tip-Toes', arranged for voice and piano.
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The Half Of It, Dearie, Blues, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Lady, Be Good!', arranged for voice and piano.
The Half Of It, Dearie, Blues, written by George Gershwin with words by Ira Gershwin, from the musical comedy 'Lady, Be Good!', arranged for voice and piano.
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Argentina, written by George Gershwin with words by Buddy De Sylva, from 'George White's Scandals', arranged for voice and piano.
Argentina, written by George Gershwin with words by Buddy De Sylva, from 'George White's Scandals', arranged for voice and piano.
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At Half Past Seven, written by George Gershwin with words by Buddy De Sylva, from 'Nifties of 1923', arranged for voice and piano.
At Half Past Seven, written by George Gershwin with words by Buddy De Sylva, from 'Nifties of 1923', arranged for voice and piano.
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Beautiful Gypsy, written by George Gershwin with words by Ira Gershwin, from 'Rosalie', arranged for voice and piano.
Beautiful Gypsy, written by George Gershwin with words by Ira Gershwin, from 'Rosalie', arranged for voice and piano.
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Because, Because, written by George Gershwin with words by Ira Gershwin, from 'Of Thee I Sing', arranged for voice and piano.
Because, Because, written by George Gershwin with words by Ira Gershwin, from 'Of Thee I Sing', arranged for voice and piano.
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Blue, Blue, Blue, written by George Gershwin with words by Ira Gershwin, from 'Let 'Em Eat Cake', arranged for voice and piano.
Blue, Blue, Blue, written by George Gershwin with words by Ira Gershwin, from 'Let 'Em Eat Cake', arranged for voice and piano.
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Cinderelatives, written by George Gershwin with words by Buddy De Sylva, arranged for voice and piano.
Cinderelatives, written by George Gershwin with words by Buddy De Sylva, arranged for voice and piano.
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Do What You Do! written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.
Do What You Do! written by George Gershwin with words by Ira Gershwin and Gus Kahn, from 'Show Girl', arranged for voice and piano.
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Drifting Along With The Tide, written by George Gershwin with words by Arthur Jackson, from 'George White's Scandals', arranged for voice and piano.
Drifting Along With The Tide, written by George Gershwin with words by Arthur Jackson, from 'George White's Scandals', arranged for voice and piano.
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Feeling I'm Falling, written by George Gershwin with words by Ira Gershwin, from 'Treasure Girl', arranged for voice and piano.
Feeling I'm Falling, written by George Gershwin with words by Ira Gershwin, from 'Treasure Girl', arranged for voice and piano.
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Partituras para canto
Los humanos siempre han utilizado su voz para comunicarse, no sólo para hablar, sino también para una gran variedad de otras funciones:
Ya sean llamadas fonéticas silábicas („Juchitzer“ o „Juchzer“) en las montañas para intercambiar información a larga distancia o para llamar a rebaños de ganado (asociado a esto se conoce como „yodelling“), ya sean los cantos rituales o los mantras que acompañan las ceremonias sagradas, ya sean los interminables cantos rítmicos que facilitan el trabajo en grupo en el campo, ya sean las canciones juglarescas de la Edad Media, con cuya ayuda se cortejaba el favor de las nobles damas en una especie de competición caballeresca (quizá osadamente comparables a las danzas de cortejo de las aves del paraíso, por ejemplo) – la necesidad de expresarnos de un modo tonal más allá del lenguaje está probablemente en nosotros desde que nacemos y puede adoptar las formas más diversas. Es difícil imaginar no haber entrado en contacto con el canto a lo largo de la vida o haber cantado uno mismo; desde el simple canción de cuna vía canciones infantiles en el KiTa, canciones de senderismo y de hogueras para excursiones escolares o de grupos de jóvenes, cantos de iglesia, el canto a lo largo de Radio-Hits, los primeros casetes/CDs/discos, cantando canciones en una banda o coro a personas que quieren profundizar en su canto y quieren aprender a cantar Liedgesang, Canto de ópera, Musical-intérprete o Rock- / Pop- / Schlagersänger:in licenciado.
El mundo del canto es enorme
– y también lo es nuestra gama de partituras vocales para él. Porque no siempre se puede aprender una canción, un aria o una parte coral con sólo escucharla.Ya sea clásica o moderna: En más de 36.000 partituras vocales de todos los estilos, géneros y editoriales, te ofrecemos no sólo
- Escuelas de canto, Stimmbildungs-, métodos de canto a la hoja y enseñando canciones para todas las edades
- canto solista, Duette o Terzette y más cantantes:inside,
- Canciones
- Clásico, Opera, Música de iglesia, Gospel, Jazz, Chanson, Schlager, Volksmusik ...
- notas para bodas, Partituras para casos de luto, Notas de Partituras de películas, Partituras de Navidad
también partituras para
además de una amplia gama de literatura vocal de
y
Como no es posible enumerar aquí todos los estilos, géneros y categorías de nuestras partituras vocales, ¡le invitamos a utilizar nuestras diversas opciones de filtro!