Partituras para conjunto mixto

This work from 1889 in the unusual instrumentation with oboe and horn is one of the most successful creations of the Brahms friend, in which one 'seeks his equal in natural cheerfulness and harmonic s...

C major, G major, A major

Rosetti's quintet in E-flat major, composed around 1780, is presented here in an extremely distinctive arrangement from 1789, possibly by the famous horn virtuoso Giovanni Punto.

The combination of an obbligato keyboard instrument with 'two' basses is of great compositional charm; all that remains is admiration for Telemann's joy in instrumental experimentation!

The work, which is completely committed to the spirit of late Romanticism, captivates with its masterful inventiveness in harmony and melody of its creator, who, by the way, was the teacher of the for...

Un Divertimento piccolo per Clavecimbalo, Corno e Violino accompagnato.

Danzi's melody-laden Op. 10 captivates with its 'balanced' instrumental interplay: comfortable to perform; especially rewarding for the violas.

Rosetti wrote this colorful and contrapuntally dense work, which received wide circulation and recognition during his lifetime, in November 1782 for the famous Parisian 'Concert spirituel'. A prime ex...

Unique in their instrumentation, these trios were long considered lost: Delicacies from a time in which tone painting aimed at euphony came into fashion.

All-familiar work loaded with rhythmic and harmonic finesse in the rare instrumentation (see Cambini).

Transferred to the oboe without loss of substance after the version with clarinet. A gain for all oboists who would like to add relatives to the Mozart quartet.

Of enchanting melodic beauty and pathetic expressiveness, this work is TOO attractive for stage and house to dispense with its 'playful' appropriation.

The work seemed so successful to its creator that he offered it in 2 versions for concert use. It appeared as op.7 in the version with clarinet (Amadeus BP 1208).

Written in 1952, this tonal work is captivating for the esprit of its 'programmatic' movements: Aubade, Capriccio, Cortège triste and Sérénade.