Partituras para conjunto mixto

The work brings pleasure to many musicians, all of whom can 'put on a show', pleasant and useful entertainment with modest technical effort.

One of the few romantic flute quartets. It was repertoire during the lifetime of Thieriot, an almost forgotten intimate of Brahms. Revised from the first printing of 1905.

First Edition

First Edition

First Edition

The works of the Rinteler Amtsmusiker Volckmar stand in their perfect compositional expression and invention far above the utility music of the time. Repertoire worthy.

The concerto is suitable for both choric and solo performance. To allow for these alternatives, a complete set of parts has been added to the score and realization of the thorough bass.

Frist Edition

Written in the 1930s, the concerto was inspired by the Zurich Chamber Orchestra and has since been undeniably regarded as 'a throw in invention, powerful in design and of pithy modernity'.

The beauty and brilliance of this sextet, which can be performed well without horns, are unparalleled: it will remain forever young.

One of the most beautiful and espressive works in the rare quintet instrumentation with oboe, balanced in the treatment of all instruments with moderate technical demands. Repertoire.

In Telemann's famous 'Essercizii Musici', the trios with obbligato harpsichord as the second melodic part occupy a special position: they stand (almost) alone in the literature of this genre.

First Edition

A work entirely in the blending of the Italian and German instrumental styles. The melodic balance among the voices is self-evident for the cellists Cirri. Medium level of difficulty.

First Edition Largo cantabile - Allegretto - Vivace assai

The technically easy to master work (2nd violin and viola executable in the 1st position) is a choral version of the Quintet op.74 for violin, clarinet, bassoon, cello and piano (BP 1276).

A novella that lets a small impostor become a count, but whose unmasking ends peacefully bourgeois.

A wreath of little-known Christmas carols, easy to perform and can also be scored with wind instruments; the viola part can also be performed by a violin (separate part).

This attractive work is part of the famous Neapolitan collection of 24 concertos, created around 1725 as 'Concerti di Flauto, Violino, Violetta e Basso Di Diversi Autori'.

Edited from the first edition.