Partituras para conjunto mixto

The double violin parts in the source suggest that the trumpet was accompanied by a chorus. The instrumentation with bassoon as continuo-bass is remarkable. Performed as a solo, this magnificent work...

First Edition

These concertante quartets, 'ultra-modern' for their time, inspire for their melodic inventiveness as well as the cultivation of the instrument-specific sound spectrum of the clarinet part with built-...

The trio was commissioned for the Museumskonzerte Basel-Dornach in the Haydn Year 2009. The cascade-like homage in variations captivates with a filigree virtuoso network between the instruments.

The works, still written in the garb of late Baroque concertante form, reach far into the High Classical period in their 'sensitive manner' as well as melodic invention, despite a continuo-bound bass.

The works, still written in the garb of late Baroque concertante form, reach far into the High Classical period in their 'sensitive manner' as well as melodic invention, despite a continuo-bound bass.

With this trio from the important collection 'Essercizii Musici', Amadeus presents all four trios with obbligato harpsichord as the second melodic part; with a finely tuned realization of the bass to...

The trio from the famous 'Musikalisches Vielerley' captivates with a perfect synthesis of contrapuntal and cantabile writing on a high level with 'still' baroque gesture.

Edited from the First Edition.

The top-class composer and oboe virtuoso Friedrich Eugen Thurner has in the meantime, not least through his two oboe quartets (AD-BP2804 & AD-BP2805), once again entered the consciousness of today's e...

Edited from the First Edition.

Edited from the First Edition.

Edited from the First Edition.

The work, which is in the late Romantic tradition, captivates the listener with its strongly contrapuntal treatment of the themes and its richly contrasting harmonies, which at times bear impressionis...

Edited from the First Edition.

In anticipation of changing tastes, Fasch also gives free rein to the elaboration of melodic ideas in this sonata out of canonic rigor: in the process, he becomes one of the decisive pioneers of the n...

The trio sonata is characterized by the fact that Pepusch succeeded in blending the sonorous sound of the viola da gamba with the singing of the flute in the happiest way. A rewarding repertoire work.

Edited from the first edition.

Baum's rich chamber music oeuvre is distinguished by the fact that in the contemporary 'vocabulary of sound' it also succeeds in making joyful music with melodic-rhythmic esprit. Superb!

According to the new edition, corrected by the composer himself, of the first print of parts. Schlesinger / Op. 34 Prix Rrt 16 gr. / No. 183

Edited from the First Edition.

From the series: Aurea Amadeus, No. 338.

First Edition

First Edition

Edited from the first edition.