Partituras para conjunto mixto

Four Songs for Mezzo-Soprano and String Quartet: Elegia, Pierrot (a una coreografia de 'Accion Colectiva'), Espacio liquido, Retrato (-a tientas)

'A very beautiful and original work where you can appreciate clearly how the composer admires the writer Josep Carner, prince of Catalan poets. The score was written in 1935 for piano and voice. Two y...

The work is a tribute to Arvo Pärt, a piece with a certain ritual character. The material is accumulated to build a texture in which the percussion is the dominant voice. The use of the varied repetit...

Gitana for Soprano, Flute, Clarinet, Bassoon, Horn, Percussion, Piano, Violin, Viola, Cello and Contrabass.

De la Randa for Flute, Oboe, Clarinet, Bassoon, Horn, Percussion, Harp, Violin, Viola and Cello. In 'De la Randa,' the only almost conventional thing is the ensemble. It is a work that reflects the co...

Semantemas is written for an atypical duo using neoclassical roots and a Scarlattian clarity. González has composed a score that allows the brilliance of the performers to shine, full of rhythmic and...

Iluminaciones, with illustrations by Julio Mosquera, is a score full of graphic beauty. The music and the drawings integrate into a collection object. At the same time, the sonority of the work flows...

A beautiful work, originally composed for piccolo and piano, now transcribed for piccolo, strings (violin I, violin II, viola, cello, and bass) and harp or small chamber orchestra. A perfect work to d...

for Wind Quintet and Narrator. Written for the Charlotte Symphony Woodwind Quintet to perform on its educational programs. Each instrument plays a character with a catchy melody and narration to intro...

The haiku is a Japanese poem about nature that uses five syllables in the first line, seven in the second, and five in the third. Each of these short movements is a vignette presenting an original hai...

A West Indian folk song that is perfect for the holiday season. Scored for either wind or string trio. Each part is playable on either a C or B-flat instrument, making this suitable for all sorts of c...

A beautiful sacred work, arranged with great flexibility. Originally written for flute, horn and piano, Part I can be played by either a C or B-flat instrument, and Part II can be played by a C (trebl...

for Flute, Violin and Cello. Originally scored for piano and violin, this sonata lends itself well to trio instrumentation. As a complete work, with Allegro di motto, Theme and Variations, and Allegro...

This pretty, single-movement work is set in a neo-romantic style. As chamber music with flexible instrumentation, it would provide an excellent addition to recital programs for school performers and p...