Coro y canto
- Voz (grave) y piano
- Partituras
- Fürstner Musikverlag
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- Voz (grave) y piano
- Partituras
- Fürstner Musikverlag
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en stock
disponible en 1-3 días laborables
- Voz (grave) y piano
- Partituras
- Fürstner Musikverlag
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disponible en 1-3 días laborables
- Voz (grave) y piano
- Reducción de piano
- Fürstner Musikverlag
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disponible en 1-3 días laborables
- Voz (grave) y piano
- Reducción de piano
- Fürstner Musikverlag
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Noten für Bariton oder Bass und Klavier.
Noten für Bariton oder Bass und Klavier.
- Voz (media) y piano
- Partituras
- Fürstner Musikverlag
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Noten für Bariton oder Bass und Klavier.
Noten für Bariton oder Bass und Klavier.
- Voz (media) y piano
- Partituras
- Fürstner Musikverlag
-
en stock
disponible en 1-3 días laborables
- Voz (media) y piano
- Partituras
- Fürstner Musikverlag
-
en stock
disponible en 1-3 días laborables
- Voz (grave) y piano
- Partituras
- International Music Company (IMC)
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ARIAS from OPERAS
- Voz (grave) y piano
- Partituras
- International Music Company (IMC)
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ARIAS from OPERAS
- Voz (grave) y piano
- Partituras
- International Music Company (IMC)
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- Voz (grave) y piano
- Partituras
- International Music Company (IMC)
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The edition is part of the ABRSM syllabus (grade 8)
The edition is part of the ABRSM syllabus (grade 8)
- Voz (grave) y piano
- Partituras
- International Music Company (IMC)
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English version by PROCTER-GREGG
English version by PROCTER-GREGG
- Voz (grave) y piano
- Partituras
- International Music Company (IMC)
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en stock
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- Voz (grave) y piano
- Partituras
- Fritz Etzensberger
- Edition Kunzelmann
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Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic ‘trademarks' - the use of end-rhyme throughout the recitative stanzas (i.e....
Since it does not appear in Ottoboni's Trattenimenti poetici and fails to exhibit one of his most consistent stylistic ‘trademarks' - the use of end-rhyme throughout the recitative stanzas (i.e....
- Voz (grave) y bajo continuo
- Partituras
- Michael Talbot
- Edition HH Limited
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Both cantatas are typical specimens of Albinoni's style. The little flourishes of conjunct demisemiquavers seen in bar 13 of the opening aria of Vorrei che lo sapessi and bar 14 of that of Senza il co...
Both cantatas are typical specimens of Albinoni's style. The little flourishes of conjunct demisemiquavers seen in bar 13 of the opening aria of Vorrei che lo sapessi and bar 14 of that of Senza il co...
- Voz (grave) y bajo continuo
- Partituras
- Michael Talbot
- Edition HH Limited
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- Voz (grave) y guitarra
- Partitura general y partichelas
- Antonio Grande
- UT Orpheus Edizioni
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Egad! Somehow, the Et Exspecto solo from P.D.Q. Bach's suspect opera Hansel and Gretel and Ted and Alice - thankfully restricted to supervised rental status - has leaked out to the public sphere! The...
Egad! Somehow, the Et Exspecto solo from P.D.Q. Bach's suspect opera Hansel and Gretel and Ted and Alice - thankfully restricted to supervised rental status - has leaked out to the public sphere! The...
- Voz (grave) y piano
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- Peter Schickele
- Theodore Presser Company
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'Songs of Love and Loss was originally written for bass voice and piano; and premiered by Bryan Matthews at Juilliard in 1984. Subsequently in 2004; I arranged the work for Bass Trombone and Piano for...
'Songs of Love and Loss was originally written for bass voice and piano; and premiered by Bryan Matthews at Juilliard in 1984. Subsequently in 2004; I arranged the work for Bass Trombone and Piano for...
- Voz (grave) y piano
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- Theodore Presser Company
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An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice - a miniature monodrama, sung a cappella. Okoye's music and dramatic pacing are in tune with Whitman's words...
An enticing rarity in the vocal literature, 1861 is a 5-minute work for unaccompanied voice - a miniature monodrama, sung a cappella. Okoye's music and dramatic pacing are in tune with Whitman's words...
- Cantar (baja)
- Partituras
- Theodore Presser Company
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For Low Voice, Piano. Classical. Piano/Vocal Score. Opus 83. 7 pages.
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- Theodore Presser Company
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Arranged by Fred Bock. For Low Voice, Organ. Piano/Vocal Score. 4 pages.
Arranged by Fred Bock. For Low Voice, Organ. Piano/Vocal Score. 4 pages.
- Voz (grave) y órgano
- Reducción de piano
- Theodore Presser Company
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Arranged by William Arms Fisher. For Low Voice, Piano. Classical. Piano/Vocal Score. Composed 20-Jul-22. Opus 95. 5 pages.
Arranged by William Arms Fisher. For Low Voice, Piano. Classical. Piano/Vocal Score. Composed 20-Jul-22. Opus 95. 5 pages.
- Voz (grave) y piano
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- Theodore Presser Company
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LAMENT was originally composed in 1999 for solo piano, in memory of Judith Arron, whose visionary goals for Carnegie Hall were matched by her abilities to achieve them. The performance challenges in L...
LAMENT was originally composed in 1999 for solo piano, in memory of Judith Arron, whose visionary goals for Carnegie Hall were matched by her abilities to achieve them. The performance challenges in L...
- Voz (grave) y piano
- Partitura de piano
- Theodore Presser Company
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