Partituras para coros

Christmas setting for upper voices (three parts) of a traditional 15th-century English text with Latin refrain: 'Gabriel of high degree ...' / 'Ut nova: Ave fit ex Eva'. An explanation of the Latin pu...

Composed in 2009, this short, celebratory introit was the first of several unaccompanied works I composed for Matthew Owens and the Wells Cathedral Girl Choristers. The text (Let us all rejoice) exist...

This setting of the Ordinary of the Latin Mass (without Credo) was premiered in May 2016 by the choristers of Wells Cathedral Choir. Filling a gap in the repertoire, the work is written for unaccompan...

This work by Kim André Arnesen (one of Norway’s most performed contemporary composers) was commissioned by the Athens Master Chorale, Georgia, USA for the 50th anniversary of their founder and conduct...

I denna ljuva sommartid (En este dulce tiempo de verano) es un salmo tradicional de verano muy conocido en Suecia. El texto es de origen alemán, escrito en 1653 por Paul Gerhardt (1607-76) ('Geh aus,...

Composer's note: 'On yesternight I saw a sight was set as a means of thanking Jo Tomlinson for promoting and recording my music with the excellent choristers of Farnham Youth Choir. Knowing that the g...

Composer's note: 'In the bleak midwinter is the setting of the famous poem by Christina Rossetti for four-part mixed choir. This poem came to mind as I walked the streets of Cornwall on a cold, bleak...

Composer's note:'The original version of Ring the bells for mixed choir, now available in a version for high choral voices, was commissioned by the London Philharmonic Choir, who also sang the premier...

In its original scoring for mixed voices MacMillan's The Gallant Weaver has become a favourite; this arrangement now extends the setting to upper voices. Paul Spicer comments, 'This ideal introduction...

This arrangement of the 16th-century Christmas carol was created during a weekend when Anna Lapwood and the Pembroke College Girls' Choir composed together - the method of group composition they had e...

Este villancico se compuso en 2009 para el coro de alumnos de último curso del instituto Dr. Challoner’s High School, en Buckinghamshire (Inglaterra). El texto, extraído del poema «Christmasse Day» («...

The fragmented nature of the poetry is reflected in the many small musical sections. (3:00)

This arrangement explores the Caribbean sty;e known as 'Afro-Cuban': independent melodic lines with strong rhythmic pulses are superimposed to build up textures that are both rich and translucent. Eve...

Bring infectious energy and medieval charm to the choral stage! With "J'ai vú le loup", Boosey & Hawkes presents a spirited setting of a traditional French folksong, expertly arranged for three-part w...

Adapted from a traditional African-American chant, this is – in the composer's words – a “soulful piledriver with a monster backbeat. ” Plentiful but manageable divisi writing...

This is a highly emotional and powerful piece for women's choir. Composer Boerger asks the chorus to produce the sound of bereavement when it first strikes. A total commitment to the emotions as maste...

By choosing to set this text, which speaks of charity and the love of God, for treble voices, Douglas Pew seeks to create images of celestial bodies and celestial spheres where this type of sacred lov...

Munoera' (Sanctus) is part of the Shona Mass, an original work composed in the spirit of music heard at the Episcopal Cathedral in Harare, Zimbabwe. The text is a combination of Shona and liturgical L...

Lee Kesselman has created a stunning fanfare-like concert opener of short duration, specifically intended for the Allegro Con Brio's (Kansas City area) tour to Italy. Non-pitched bells are added to an...

Taking advantage of the ancient and at the same time relevant musical style we know as Chant, Stephen Hatfiled has created a Funky, rhythmic, modern look at musical styles and how reality and the digi...

Commissioned by the 2012 ACDA Women's Choir R&S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.' One long, rhythmi...

Written for the Wheaton College Christmas Festival, this work with a text by Christian mystic, Hildegard of Bingen, should feel very free, personal and almost improvisational. The close harmony requir...