Partituras para coros

Originally published in Epiphany to All Saints for Choirs, this polyphonic motet perfectly captures the style of its time, with beautifully designed counterpoint and melismatic passages. Suitable for...

From the collection Epiphany to All Saints for Choirs, Tallis's five-part setting of the Nunc dimittis is here edited by Stephen Rice. Scored for SATBB unaccompanied and including a piano part for reh...

From the collection Epiphany to All Saints for Choirs, this Matins canticle has a text based on verses from Isaiah. Scored for SATB unaccompanied with soprano and tenor solos, it is most suitable for...

From the collection Epiphany to All Saints for Choirs, this lucid antiphon for the Epiphany is here edited by Timothy Morris. Scored for SATB unaccompanied and including a piano part for rehearsal pur...

Originally published in Epiphany to All Saints for Choirs, this anthem for All Saints' Day features all the hallmarks of the sixteenth-century polyphonic style. Includes both Latin and English singing...

Originally published in Epiphany to All Saints for Choirs, this antiphon for All Saints' Day features all the hallmarks of the sixteenth-century polyphonic style. Includes both Latin and English singi...

The Cherubic Hymn' is a hidden gem from Rachmaninov's Liturgy of St. John Chrysostom, perfect for Trinity Sunday. With flowing melodic lines, exquisite harmonies, and a contrasting second half, the re...

The composer has combined a single line of Latin, 'O virgo splendens', with an earthy, late 13th-century Marian text in Middle English to create a work which reflects both the divine and the human qua...

An Affirmation is a setting of an elegiac text by Richard Brett conveying the themes of grief and remembrance. The piece opens with a single voice that grows into a warm chordal passage. It gains mome...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

The Parting Glass is a traditional Scottish song, often sung as a farewell at the end of a get-together. With its valedictory message, it would make a fitting end to a performance, perhaps as an encor...

This atmospheric carol sets the well-known 'O magnum mysterium' text in the version famously used by Victoria, with its tender, devotional additions. Set in four parts, the work unfolds simply, from s...

The Island Itself is a setting of the poem Homage to Omey by Irish poet, Joan McBreen. The imagery of the sea conveyed in the text is reflected through lilting, syncopated rhythms. The melody is suppo...

Scored especially for ATB to meet social distancing requirements, this piece has both special resonance and practical application in these uncertain times. McGlade's characteristic unaccompanied style...

To celebrate the centenary of the Oxford University Press Music Department, this volume of 50 new carols complements the five previous volumes, bringing new names and styles to the series while provid...

To celebrate the centenary of the Oxford University Press Music Department, this volume of 50 new carols complements the five previous volumes, bringing new names and styles to the series while provid...

This beautiful setting of a medieval English text is simple yet effective, written in Assersohn's clear and approachable style. With tender 'lullay, lullow's, lilting phrases, and gentle modal inflect...

This beautiful setting of a medieval English text is simple yet effective, written in Assersohn's clear and approachable style. With tender 'lullay, lullow's, lilting phrases, and gentle modal inflect...

This setting of Edward Caswall's well-known text shows all the hallmarks of McGlade's characteristic style, with changing time signatures, beguiling chromaticisms, and a beautiful, fluid melody. Chang...

This is an upbeat original setting of the well-known Latin text. Rambunctious, hearty, and in a sophisticated modal style, it is suitable for both church and concert performance byexperienced choirs.

This is an upbeat original setting of the well-known Latin text. Rambunctious, hearty, and in a sophisticated modal style, it is suitable for both church and concert performance by experienced choirs.

With words by the composer, this tender piece expresses gratitude and awe for the redeeming power of the Christ-child. Replete with rich contrasting harmonies, the changing metre and effective phrasin...

With words by the composer, this tender piece expresses gratitude and awe for the redeeming power of the Christ-child. Replete with rich contrasting harmonies, the changing metre and effective phrasin...

A short upbeat setting of words from Psalms 9, 95, and 97, Cantate Domino opens with a triple-metre dance-like section that features optional clapping. Brown juxtaposes a darker, more chromatic middle...