Partituras para coros

Kling no, klokka! es un villancico tradicional noruego, hábilmente arreglado aquí para voces mixtas por Frank Havroy. La pieza tiene un convincente aire folclórico, con glissando y pasajes cromáticos...

Kling no, klokka! is a traditional Norwegian carol, skilfully arranged here for mixed voices by Frank Havrøy. The piece has a compelling folk feel, with glissando and chromatic passages contributing t...

para SATB sin acompañamiento. En este suave arreglo de Still, still, still, Remel Derrick apuntala la melodía del tradicional villancico austriaco con armonías contemporáneas, creando un paisaje sonor...

In this gentle arrangement of Still, still, still, Remel Derrick underpins the melody of the traditional Austrian carol with contemporary harmonies, creating a warm and refreshing soundscape. A soarin...

Para SATB (con divisiones) sin acompañamiento. Se trata de un villancico de gran riqueza armónica con un texto inglés de finales de la Edad Media, centrado en la frase verbum caro factum est. La pieza...

This is a harmonically rich carol setting a late medieval English text centred on the phrase verbum caro factum est. The piece opens with a solo soprano line and gradually expands, culminating in the...

Para tenor y soprano solos y SATB (con divisiones) sin acompañamiento. La canción de cuna de Thomas Hardy The Oxen se abre alternando entre un estribillo tutti y versos solistas, con un acompañamiento...

French's quasi-lullaby setting of Thomas Hardy's The Oxen opens by alternating between a tutti refrain and solo verses, with an atmospheric syllabic accompaniment, before building to a tutti final ver...

This carol for a cappella choir juxtaposes Latin text with a jubilee spiritual celebrating the Magi who saw the star to lead them to the newborn child. The natural rhythmic energy is amplified by sync...

The Unexpected Early Hour brims with energy as the vibrant melody passes between voices and the rocking crotchet-quaver movement drives the piece towards its climactic ending. Offprinted from Weihnach...

This joyful carol triumphantly proclaims the Christmas message and features changing metres and contrasting textures throughout. Offprinted from Weihnachts Carols for Choirs.

This lively carol retells the Christmas story, punctuated by the joyful refrain 'Verbum caro factum est'. Offprinted from Weihnachts Carols for Choirs.

This heartfelt setting of words by the composer begins with a pianissimo drone over which the sopranos introduce the expressive melody, rich with lush harmonies, moments of dynamic intensity, and an o...

Rutter's arrangement of this traditional German tune pairs a beautiful Latin text with accessible and compelling harmonies. Offprinted from Weihnachts Carols for Choirs.

Welt so alt is a melancholic setting of a text by Christina Rossetti. With a falling bassline, artful use of inverted and diminished chords, and a wordless soprano solo, this carol perfectly captures...

Este conmovedor himno conmemorativo combina la traducción al inglés que el compositor realizó del «In paradisum» del Réquiem con una melodía de profunda belleza y armonías de discreta expresividad. La...

Este himno a capela, ideal como introito o llamada a la adoración, se inspira en la canción popular celta y está disponible aquí en su traducción al español. Extraído de «Obras corales sacras de John...

Extraída de «Obras corales sacras de John Rutter», se trata de una interpretación de profunda belleza de una de las primeras oraciones inglesas, procedente del «Sarum Primer» de 1514.

For SATB accompanied and unaccompanied. Fred Onovwerosuoke and the St. Louis African Chorus carefully selected the favourite, most requested songs from their workshops, while trying to represent a wid...

para coro SATB sin acompañamiento, con soprano y tenor solistas

Immerse yourself in the monumental sound world of Hector Berlioz: with this choral score for "La Damnation de Faust" (Légende Dramatique en 4 Actes), the renowned publisher Alphonse Leduc delivers an...

This may be the most exciting Christmas sprirtual Jay Althouse has ever written. It opens with the basses asking, in a hushed, rhythmic melody, 'Who's that baby in a manger bed?' The text is classic s...