Partituras para coros

Basado en la Edición Crítica Completa de Béla Bartók (Z. 15009), este volumen incluye las obras completas de Bartók para voces mixtas. Las letras de esta edición Urtext están en los idiomas originales...

Text: Archibald MacLeish

SA+Men choir with accompanmiment of piano or orchestra.Conservation! is an adaptation of the 'show-stopper' from my children's opera, Nessie. Set on the banks of Scotland's Loch Ness, the opera is the...

Fire of Love is, in Margaret's own words 'a way to still the mind so that our hearts may be open to the transforming work of the living, loving, life-giving eternal spirit'.

Johann Sebastian Bach (1685-1750) composed his MOTET No. 1: SINGET DEM HERRN EIN NEUES LIED (Sing unto the Lord a new song), BWV 225 around 1727, and it was likely performed also in that year. In thre...

This year, 2020, marks the 100th anniversary of the 19th Amendment to the U. S. Constitution which granted a woman's right to vote. The lyrics for this piece are based on the writings and speeches of...

This year, 2020, marks the 100th anniversary of the 19th Amendment to the U. S. Constitution which granted a woman's right to vote. The lyrics for this piece are based on the writings and speeches of...

Maya Angelou's immortal text is cared for, developed and placed into a worthy gospel treatise by the choral great Rollo Dilworth!

Developing mixed choirs will enjoy rehearsing and performing this flexible setting that accommodates the changing voice! Set in a contemporary 4/4 meter, the layered vocal lines are well-crafted for s...

Now available in the transitional voicing SAT(B) for developing mixed choruses, this tender setting of a Native American poem features extended legato phrasing and delicate musicality. The simple pian...

Wood

Wood

That glorious, lofty, English cathedral sound emerges easily from British composer Hugh Benham. Using a text by 17th century author George Wither, Benham uses a hymn-style format, typical of Anglo-ant...

That glorious, lofty, English cathedral sound emerges easily from British composer Hugh Benham. Using a text by 17th century author George Wither, Benham uses a hymn-style format, typical of Anglo-ant...

Although the words come from the 19th century there is no question the music is of today. The opening tonal clusters from the choir, accompanied by a rolling line and steady harmony in the piano, crea...