Partituras para coros

First published in The Oxford Book of Flexible Carols, Alan Smith's In the Beginning is presented here in an alternative mixed-voice arrangement. Kevin Carey's text is set to gently lilting music, per...

This sensitive arrangement of a well-known Yiddish folksong introduces singers to the harmonic characteristics of Yiddish music. Clapping and body percussion is employed to great effect, and a pronunc...

Chilcott's mighty setting of words from St John's Gospel is a dramatic yet optimistic re-telling of the Passiontide story. As with Bach's great Passions, the role of the Evangelist is taken by the ten...

Setting of a text by St. Robert Bellarmine (1542-1621), a Hymn for Lauds on the feast of the Guardian Angels.

Skempton's setting of the Preces and Responses is simple, well-crafted, and harmonically rewarding, and is perfect for choirs seeking new material for the liturgy.

This robust carol employs strong, dancing rhythms in the outer sections, while the reflective middle section for unaccompanied voices offers a moment of repose and contrast.

Setting a heart-breaking wartime text by Wilfrid Wilson Gibson, Pott has created a beautifully poignant piece befitting any Remembrance occasion. Written in memory of Staff Sergeant Olaf Schmid, a bom...

No. 1 of McDowall's 'Three Latin Motets', Ave Regina is a gentle and lyrical setting of the text 'Hail, Queen of the Heavens'. The calm and memorable opening phrase is hinted at in passages of more in...

The Marian motet Alma Redemptoris Mater is one of two settings of this text composed by Josquin and possibly one of his earlier compositions. This setting is based upon the corresponding chant and ope...

A French traditional carol arranged for mixed voices by John Rutter. Orchestral scores and parts are also available. Offprinted from the collection Joy to the World.

The weather, the most quintessentially English of topics, was the inspiration for this work. Chilcott weaves together a tapestry of well-known weather rhymes, such as 'The rain it raineth every day up...

This is a declamatory setting of a popular Easter text by Gerard Manley Hopkins in an upbeat 7/8 metre. Featuring compelling interplay between choral sections, a slower reflective passage, and a rousi...

This famous Christmas carol is set to Redner's tune, which is the version most known in The United States. Rutter has also included a descant for the final verse. Offprinted from the collection Joy to...

In contrast to Lassus's three-part setting of the Adoramus te, Christe text, the heavy texture employed in this five-part work demonstrates a more mature Lassus.

This concerto is an 18-minute single span of music, although it is broken down into three sections - fast, slow, faster. The musical language explores folk-derived materials and performing practices.

A setting of Walt Whitman's The Mystic Trumpeter (1872), in which the trumpeter (positioned off stage, or otherwise out of sight) imitates and echoes the soprano's melismatic treatment of the words.

By The Way, I Love You is a fun a cappella number that sets words by Garth Bardsley in a big band style. Swing and rhythmic groove is vital to the performance, with the catchy melody held first by the...

This sequence of six carols explores the role of Mary in the Christmas story, focussing on her human experience within a story of the divine. The work has two accompaniment options: piano (using this...

Edward Margetson was born in St. Kitts, British West Indies, immigrating to the United States in 1919. One of only a few published choral works by the composer, A few more years shall roll sets a hymn...

To Music is a jubilant anthem set to a poem by Robert Herrick ('To Music - A Song'). Commissioned by the BBC to mark Stephen Cleobury's 60th birthday celebrations in 2009, the work perfectly captures...

This beautiful chamber work takes its inspiration from an artist's book by the Scottish artist Ian Hamilton Finlay, 'A Litany A Requiem'. This book lists on alternate red, white, and blue paper plants...