Partituras para coros

This is a joyful and expressive setting of the composer's own text, inspired by geographical features of Newfoundland. Wong employs gentle phrases, nimble rhythmical patterns, and a soaring solo desca...

Above, Beyond, Sing On! es un alegre y expresivo texto del compositor, inspirado en las características geográficas de Terranova. Wong emplea frases suaves, patrones rítmicos ágiles y un canto solista...

This uplifting and affirmatory piece sets a text by the composer inspired by the reflections of the Northwest Girlchoir on what their choir means to them. A gradual building of choral texture creates...

This enchanting setting of the well-known medieval text combines expressive harmonies with gently interweaving lines for solo or soli voices. A beautifully written Advent miniature, Rose of such virtu...

Written in celebration of the 40th anniversary of the Tallis Scholars, this joyful and virtuosic antiphon captures a sense of both jubilation and devotion, in keeping with the spirit of the anniversar...

Our Voice sets the poem 'Murmuration' by contemporary poet Eleanor Stewart-Pointing, which explores the relationship between the human voice and the sounds and music of the natural world. The piano wr...

Orchestral material is available on hire.

This is a beautiful and modern setting of a traditional text, popularised by Orlando Gibbons' well-known madrigal 'The silver swan'. Also available in versions for solo high voice and SSA.

This powerful work is a sequence of meditations on loss, longing, fear, and hope. The text is in Latvian and English - a pronunciation guide for the Latvian text is included in the vocal score. Jackso...

The Spacious Firmament 2: Yet we who neither burn nor shine is a sequel to The Spacious Firmament. Both pieces may be performed separately, but The Spacious Firmament should always come first if they...

This SATB arrangement has been the result of 3 other versions of Greensleeves by Vaughan Williams and is perfect for a spring or autumn concert. Offprinted from Vaughan Williams for Choirs 2.

This is a simple and elegant miniature in characteristic Skempton style, with graceful choral homophony, seamlessly fluctuating time signatures, and hypnotic, meandering harmonies. The text, by Willia...

Ben Okri's poem is a hopeful vision of understanding and co-operation between the peoples of the Earth. It is matched by Bullard's imaginative, dynamic, and skilful choral writing. The result is inspi...

Set to text by John Drinkwater, this work is deceptively simple, making use of repetition and carefully placed harmonies which shift subtly to match the text. A beautiful and unusual setting which is...

The first two of these four songs are for solo baritone. The third song, 'Pan', is written for both soloists, with the melody passing back and forth between the singers. Xenophanes is also written for...

This vibrant collection presents five jazzy settings of poems from William Blake's Songs of Innocence. Chilcott challenges the listener's expectations by setting each classic text in a different jazz-...

Another issue in the Church Music Society's series of great 16th-century Responds, John Sheppard's Reges Tharsis is for the season of Epiphany, celebrating the visit of the Magi to the infant Jesus. T...

In this poignant ballad Toby Young has set an adaptation of Emily Dickinson's poem My Letter to the World to heartfelt melodies with a pop-style piano accompaniment. The song reflects on the pain of b...

This heart-warming setting of a familiar text includes all the hallmarks of a Bullard carol. Through subtle time-signature changes, a gentle modulation, elegant contrapuntal lines, and an uplifting fi...

A Catalan carol supported by a lilting melody from L'Anthologie des chants Populaires Français. Orchestral scores and parts are also available. Offprinted from the collection Twelve Christmas Carols S...

This profoundly beautiful setting by John Rutter of one of the earliest English prayers, from the Sarum Primer of 1514, is presented here in German translation.

This tender and affectionate setting of the well-loved poem of the same title by Robert Burns was written specifically for a wedding, but would suit almost any occasion.