John Rutter

An easy rock and roll style setting for SATB or two-part upper voices and either piano, drums (optional) and double bass/bass guitar, or orchestra. Orchestral material is available on hire.

for unison voices This publication makes available some of the most renowned and beautiful chants of the Gregorian repertory. All eleven chants have modern notation, with editorial performance suggest...

Accompaniments are for piano or chamber ensemble (using one player per string part) or chamber orchestra Instrumental material is available on hire.

No.1 of Three Birthday Madrigals for upper voices. SA version.

einstimmiger Chor (gemischter Chor SATB ad lib.), Orgel - Partitur

for unison voices and organ with optional SATB choir

For SATB and piano. Let's begin again is the finale from John Rutter's 'musical fable' The Reluctant Dragon, and makes a perfect gentle encore or leave-taking piece. Also available in Encores for Choi...

The Latin text from the Ordinary of the Mass for mixed voices, brass (4 trumpets, 2 tenor trombones, bass trombone, tuba), percussion, and organ. An accompaniment for orchestra without organ is also a...

The composer writes: 'The piano repertoire abounds with pieces that dazzle the listener with displays of virtuosity. I decided to compose music which allowed the sound of just one note at a time to be...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter. I would be true has been recorded by the Cambridge Singers on the CD This is the Da...

For SATB unaccompanied with short passages for soprano solo or semi-chorus.

Part of the John Rutter Anniversary Edition, this a cappella anthem, suitable as an introit or call to worship, was inspired by Celtic folksong.

For SSAATB unaccompanied.

A practical edition of the extremely famous work by Allegri.

This setting can be found both in Five Traditional Songs and Folk Songs for Choirs 1. The text is simple, while the arrangement is varied and charming.

For SATB unaccompanied. This short, eloquent Benediction sets words from St Patrick's Breastplate (5th century). Also available in John Rutter Anthems.

The shades of Finzi and Vaughan Williams are strongly present in these three delightful unaccompanied choral settings, and yet the style and execution are wholly Rutter's own.

Oxford Choral Classics: English Church Music assembles in two volumes around 100 of the finest examples of English sacred choral music. The second volume presents a wealth of service material suitable...

This tender arrangement of the well-loved Irish folk melody Londonderry Air sets an uplifting poem by Howard Walter: a stirring combination of music and text that was also used at the funeral of Diana...

I my Best-Beloved's am was written in 1999 for the BBC Singers and focuses on the theme of marriage, setting the nuptial responses from the old Tridentine Catholic marriage service and stanzas from Fr...

This joyous, dance-like setting of Edward Lear's famous nonsense poem 'The Owl and the Pussy-cat' is taken from Rutter's Five Childhood Lyrics, a collection of unaccompanied pieces inspired by rhymes...

For SATB unaccompanied. Described by Elgar as an elegy for unaccompanied chorus, this mournful, reverent setting was composed for a service commemorating Queen Victoria on the anniversary of her death...

For SSAATTB unaccompanied.

For SSAATB unaccompanied.