Clásico

A sus cantantes les encantará saltar a la divertida y alegre interpretación de Courtney de este querido trozo de Americana, que contiene un juego entre las partes vocales y atractivas palmas. También...

The Haunting para voces SSA y piano es una obra coral fascinante que combina armonías etéreas con un texto poético inquietante. Explorando temas de espíritus persistentes y ecos del pasado, la pieza p...

En esta composición de la poesía de Abbie Farwell Brown, Tompkins transforma el sencillo esquema rítmico de Brown en un vibrante juego de texturas homofónicas y polifónicas. Centrada en el segundo gra...

Little Tree consists of three short choral settings of poems by E. E. Cummings, with a total duration of around 6 minutes. The first song Little tree is in three voices(SSA); the next movement I carry...

Song For Athene' is a work by British composer John Tavener, arranged by Barry Rose for Upper Voices and Organ, with optional Cello. The text is taken from Shakespeare's 'Hamlet', as well as from the...

John Tavener's 'Awed By The Beauty', from 'The Veil Of The Temple'. This arrangement is for Upper Voices with Organ Accompaniment, by Barry Rose. The all-night vigil 'The Veil Of The Temple' was comm...

Holy Innocents is a work by Judith Weir for 2-part Soprano Chorus and Organ Accompaniment. Commissioned to mark the 20th Anniversary of St Albans Abbey Girls Choir, the piece sets a poem by Christina...

Asphodel is an aria based on Margaret Atwood's The Penelopiad to a libretto by Jeanne Pansard-Besson.

Commissioned by Simon Halsey CBE & Jack Apperley at the University of Birmingham for the singers of University Upper Voices. First performed by University Upper Voices directed by Jack Apperley on 11t...

Schumann verwendet für die Vertonung von 'Zigeunerleben' einen Rhythmus, der an einen Bolero oder Fandango erinnert, um dem Versmaß von Emanuel Geibel gerecht zu werden. Variationsreiche Stimmwechsel,...

Diese Sammlung von Sechs Liedern für Frauenstimmen enthält sechs relativ unterschiedliche Stücke, die sowohl in der Sprache ihrer Liedtexte (Finnisch und Schwedisch) als auch in Umfang und Besetzungs...

A text by the American poet Sara Teasdale (1884–1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

A text by the American poet Sara Teasdale (1884-1933) forms the basis for the composition Afterwards by choir director and composer Lucia Birzer. The poem There will come soft rains deals with our ear...

Coro SSMezAA

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larg...

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larg...

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larg...

This art song was originally composed not for chamber choir, but for solo voice and piano. Denis Rouger has carefully adapted it to suit the requirements and expressive possibilities offered by a larg...