Clásico

Alexander Glasunov's chorus 'Vniz po matushke po Volge' is unique, largely unknown and unpublished in the West so far. His elaboration of this elegiac Russian folk song evolves from the unanimously in...

Let us build a house is the closing hymn of Kim André Arnesen’s large-scale work, The Stranger. Instead of a typical majestic ending to a large work, Arnesen went for a quiet one with only an unaccomp...

Adaptación de Velvet Shoes de Elinor Wylie, el texto de este villancico retrata la atmósfera tranquila, casi espeluznante, de caminar solo sobre la nieve fresca. La puesta en escena musical refleja el...

Seeking You fue un encargo del Coro de Cámara de San Luis, donde Kerensa Briggs fue compositora residente durante tres años. El texto de Charles Anthony Silvestri habla de un viajero cansado que va al...

Como apertura o introito accesible y versátil, esta pieza establece un verso edificante de la poesía del poeta nigeriano Ozioma Ogbaji. Aunque no es abiertamente sagrado, el mensaje espiritual del tex...

Una evocadora composición a capella de las palabras de Ivor Gurney para su canción Severn Meadows, probablemente escrita en las trincheras de la Primera Guerra Mundial en 1917. Encargada en 2022 para...

Bird Raptures, un conjunto de tres piezas que se inspiran estilísticamente en el canto a voces del siglo XX, fue compuesto para St Martin's Voices en la primavera de 2025, especialmente para el álbum...

Echo es el tercer movimiento de Seascapes, que fue encargado por los BBC Singers, como música de acompañamiento de los Cuatro Interludios Marinos de Benjamin Britten, arreglado para órgano por Anna La...

Loss by German composer Hauschka is the first movement of his larger work Cascades, arranged for unaccompanied SATB Chorus. Hauschka describes his process for Loss's composition, how inspiration came...

Ay Li Lu explores the concept of lullabies as a universal human phenomenon by incorporating elements of Yiddish folk music and the chanting of the transfinite number of Pi. The piece aims to create a...

Puisque tout passe - [Since all is passing] is one of six songs for mixed choir from 1939. It is one of the most natural and spontaneous pieces among Hindemith's a cappella choral works. This work is...

Georg Christoph Biller, director del coro de la iglesia de Santo Tomás de Leipzig, se propuso arreglar la pieza instrumental probablemente más popular de su gran predecesor en este cargo: el famoso "A...

Georg Christoph Biller, choirmaster of St. Thomas' Church in Leipzig, set out to arrange the probably most popular instrumental piece of his great predecessor in this position: the famous 'Air' from t...

For my composition Cosa devo fare, I was inspired when I read the text accompanying the picture cycle Books of Venice by the Latvian artist Ilmars Blumbergs, who died in 2016. The Books of Venice, con...

Elegi was originally written for orchestra by Hugo Alfvén, from the 'Gustav II Adolf' suite. Here it is transcribed for soloist and mixed choir by Thomas Caplin.

Based on the digital challenges performing artists face in the time of the coronavirus pandemic while using digital conference systems.

New to the Carl Fischer family, Abeni Janae (b. 2001) brings a fresh voice in her arrangement of this wonderfully rich African American spiritual. Accessible for mixed choirs of all sizes and abilitie...

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.