Clásico

aus der Oper 'Iphigenie in Aulis'

Orchestration: Mixed voice choir (SATB) String orchestra: Violin 1, Violin 2, Viola, Violoncello, Double Bass A very moving new setting of the Beatitudes. May also be performed accompanied only by org...

A new setting by Philip Henderson for mixed voice choir (SATB with divisi) and piano of words by Edward Thomas (1878-1917). Taken from 'The Edward Thomas Quartet', four settings comprising 'Adlestrop'...

A beautiful setting for unaccompanied SATB choir of William Blake's famous text. This is the second setting of these words by Paul Carr. The earlier version (from 1985) also for unaccompanied mixed vo...

This is an arrangement for mixed voice choir (SATB) and piano of one of the movements from Paul Carr's 'Requiem for an Angel'. The words are by Jack Larson (1928-2015) 'Do I love you more than a day?...

These pieces are evocations of 16th and 17th century dance forms by a composer long fascinated by the period. The melodies are new and no genuine anticke (old English for antique) tunes are used. MONS...

Probably the best-known song from The Merry Widow arranged for choir and piano by Peter Lawson. The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehar with libretto by Viktor Leon...

Probably the best-known song from The Merry Widow arranged for choir and piano by Peter Lawson. The Merry Widow is an operetta by the Austro-Hungarian composer Franz Lehar with libretto by Viktor Leon...

In November 1888 the 14 year-old Holst's attention was caught by the announcement of a composing competition in the Boy's Own Paper (of which he was an avid reader), offering prizes of two guineas and...

Ein romantisches Liederspiel für 4 einzelne Singstimmen (S/A/T/B), Sprecher und Klavier aus dem Jahre 1818. Musik von Ludwig Berger und (1 Lied) von Fanny Mendelssohn Bartholdy. Worte: Wilhelm Müller,...

For Five-Part Mixed Chorus and Organ.

For SATB Choir with Piano Duet. Text by Goethe. English version by Alice Parker.

For SATB Choir with Piano accompaniment.

Johannes Brahms' Abenlied Op. 92 No. 3 for SATB choir with Piano accompaniment.

Lass Dich Nur Nichts Dauern or Let Not Your Heart Be Troubled) from The Geistiches Lied is a setting of a text by Paul Flemming for SATB Choir with Organ or Piano accompaniment.

Setting a text by Friedrich von Schiller, Nänie was intended as a eulogy for Brahms' friend, the painter Anselm Feuerbach, who died in January 1880.

For Four-Part Chorus of Mixed Voices with Soprano and Tenor Solos and Piano Accompaniment. Edited by Maynard Klein. Choice of German or English text.

Nur mit Blasorchester-o. Klaviergeleitung aufführbar. Mindestabnahme 10 Stück.

Rückseitentitel: Chor der Landleute aus Verk.Braut-Chor

Rückseitentitel: Chor der Landleute aus Verk.Braut-Klavi.

Rückseitentitel: Zigeunerchor aus Der Troubadour-Chorst