Partituras para coro femenino

This is an uplifting and expressive setting of a fun, descriptive text by Christie Dickason that characterizes the sky in an imaginative way. The compelling melodies are underpinned by a dynamic piano...

'Visions' is a four-movement showpiece for solo violin in unique combination with upper-voice choir, harp, and strings (or organ). Inspired by the idea of 'Jerusalem' both as a Holy City and a utopian...

This work for upper voices with a text by the composer was inspired by members of the Radcliffe Ladies' Choir and their motto 'friendship through singing'. The lilting vocal lines are subtly underpinn...

para SSAA y piano. My Own Design es una obra de tres movimientos sobre el autodescubrimiento, vivir con un propósito y encontrar la alegría en el viaje de la vida. Gimon adorna su lenguaje musical din...

para SSA, piano y percusión opcional. Con un texto de Emily Patterson, esta pieza celebra el crecimiento y se maravilla del poder de las pequeñas cosas. Las alegres partes corales hacen uso de desliza...

para SSAA y piano. En suenos interpreta el poema de Antonio Machado "Tal vez la mano, en suenos" sobre los sueños como un espacio donde la memoria, la música y la verdad se encuentran. Evocando las ví...

para SSA y piano. Suave pero alegre, We Thank You es una oda al ritmo de la naturaleza. Con un texto de Ralph Waldo Emerson, la música es cálida, reconfortante y fluida, con las encantadoras melodías...

Your Echo Around Me celebra la perdurable influencia de los educadores musicales, cuyo trabajo resuena en la vida adulta de sus alumnos, como evoca una memorable melodía cadenciosa que pasa entre las...

Dvorák composed the cycle 'Moravian Duets' for two female voices with piano accompaniment at the request of the Prague wholesale merchant Jan Neff in 1876. This was a turning point in the career of th...

52 Liedsätze und kleine Motetten überwiegend für gleiche Stimmen, einige für gemischte Stimmen (SAMSt), einige mit Ritornellen für 3 Melodieinstrumente ad lib. zum Gebrauch in Kirchen-, Schul- und Lai...

> First Urtext edition with a detailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor > Singing translations in German (by Max Brod) and English (by Bernard Keefe) > Numbers 9 to 11...

Inspired by workshops with the pupils of All Hallows School in Shepton Mallet, this work is about how the world around us can support us, change us, and lead us in our lives. The text is drawn from a...

The 14th-century Eucharistic text 'Ave verum' has been set to music by many composers over the centuries, no doubt drawn to its vivid and powerful imagery. Todd first set the words (for SATB choir) in...

Written for Philip Redfern and the choir of St George's School, Edinburgh, who first performed it in December 2014, this is a refreshing new setting of the well-known Christmas carol. Will Todd's expe...

Let all the world in every corner sing was commissioned by Colston's Girls' School in Bristol for the Chamber Choir and their Director of Music Matthew Redman, and was written in August 2008 for the s...

Composed for the Children's Chorus of Opera North, this piece is a setting for three high choral voices of Thomas Hardy's poem of the same name. The swaying style of a jazz waltz and the chromatic but...

The original version of Flight Song (for SATB) was written as a gift to Dr Anton Armstrong and the St Olaf Choir, Minnesota, with whom Arnesen has worked on a number of occasions. The SSAA version was...

Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, sh...

Combining a text by Charles Anthony Silvestri with syllables inspired by the song tradition (joik) of the Sami people in Scandinavia, Sing the earth is a tribute to our common home, the earth, as well...

Cantata mundi es un desarrollo de las ideas que se escucharon por primera vez en Songs of Sanctuary, donde el mundo de influencia étnica (tanto en el sonido vocal como en la percusión) se combina con...

These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...

These songs were originally written for unaccompanied chorus. Later an orchestral accompaniment was added, and a piano reduction has been included for rehearsal purposes when preparing the choir for a...