Partituras para coro mixto

A setting of the final paragraph from Alasdair MacIntyre's book After Virtue, A study in moral theory.

Communion motet for Trinity Sunday.

Nigel Short, founder and director of the choir Tenebrae, adds a jazz flavour to this well-known carol. The result is a serene arrangement with luscious, close harmonies which would be add a reflective...

Another close harmony arrangement of a traditional Christmas melody, with Latin text. The melody, shared by different voice parts, is accompanied by sustained, stirring harmonies in the remaining part...

Ein fröhliches, jazziges Arrangement des berühmten Weihnachtslieds mit einer frechen Wendung - ein ideales Finale oder eine perfekte Zugabe, das bzw. die jedem Hörer ein Lächeln ins Gesicht zaubern wi...

Close harmony arrangement of a traditional Christmas text by the former member, and later musical director, of the Swingle Singers, Carol Canning.

Close harmony arrangement of a traditional Christmas text by the former member, and later musical director, of the Swingle Singers, Carol Canning.

Composed in 1980 and revised in 2010 this is a setting of verses from Aquinas's Pange lingua in modern English translation. The choral writing is appropriately hymn-like, with one a cappella passage....

Text from 1 John 3:1, and from the baptismal rite.

A new addition to the Boosey & Hawkes Contemporary Choral Series, this carol by the leading Finnish composer of his generation was commissioned by King's College, Cambridge and first performed at A Fe...

Two part songs by the eminent English choral composer Herbert Howells, setting the words of James Ballantine and Seumas O'Sullivan.

A part song by the eminent English choral composer Herbert Howells.

Setting of Revelation 21: 1-6a commisioned by Soli Deo Gloria with support from Crossway Bibles and from the University of Chicago, and premiered in June 2011 by the University of Chicago's Rockefelle...

Latin setting commissioned by St Patrick's Church, Soho, London, to commemorate its major refurbishment and reopening on the Feast of the Visitation in May 2011. Elaborate, predominantly homophonic, c...

English setting of Psalm 127 for SSATB a cappella. Commissioned by the Marquess and Marchioness of Salisbury to mark the 400th anniversary of Hatfield House. First performed there on 11 September 2011...

Setting of the traditional vesper hymn ('Hail, O Star of the ocean'), commissioned by Christopher Gray and the Choir of Truro Cathedral. The texture is homophonic and sustained, with much use of pedal...

Part of the new Boosey & Hawkes Contemporary Choral Series, this is a peaceful setting of the plainchant gradual taken from the Book of Psalms, Psalm 145 vv 14-15. This text is one of the College Grac...

Written for the Serenade in the Cloisters of Canterbury Cathedral, which takes place as night falls, this work embodies the tranquility and serenity of night as portrayed in the text by Henry Longfell...

This Hungarian-text edition of these gripping folksong settings includes a piano accompaniment for rehearsal purposes.

Heart-felt setting for SATB a cappella of words of Our Lady of Guadalupe to St Juan Diego, December 1531 (English), with bass 'cantus firmus' from a 14th Century Marian antiphon (Latin): 'Listen, put...

A highly effective and poignant setting of the famous memorial text by the young composer Ed Rex. This joins Rex's 'A hymn to the night' as part of the Boosey & Hawkes Contemporary Choral Series and i...

This Christmas carol, commissioned by the Finnish broadcasting company Yle and first performed in Helsinki by Helsinki Chamber Choir, conducted by Nils Schweckendiek, is based on three texts, two by W...

This carol, written for the choir Canticum, is an upbeat setting of a rarely-used 15th-century English text, and would be an exciting new addition to any mixed-voice choir's Christmas repertoire. A 's...

A new setting of the well-known Christmas text, this work was written for London Consort Choir. It is a mostly homophonic and approachable but effective alternative to other settings of the text, whic...