Partituras para coro mixto

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary.

This is for soprano solo and unnaccompanied chorus. The words are by William Browne. It was written in 1974.

The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published f...

Set for unaccompanied chorus SATB, words by Eleanor Farjeon.

The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published f...

Composed in 1981, this work is a setting of a sequence from the Mass for the Feast of St Thomas, found in the missal of the Hereford use. The text is a conventional hymn of praise but it is distinguis...

The volumes of this expanding series are devoted to a wide range of sacred renaissance motets with Latin texts, and contain a mixture of well known and unfamiliar pieces, some of which are published f...

Part-song for SATB A Cappella. Text: WB Yeats.

Composed in 1972 for SATB chorus unaccompanied. Piano accompaniment for rehearsal only.

Work for six solo Voices or unaccompanied Choir. First performed by The Purcell Consort of Voices in 1974. Text: St John of the Cross.

Still Falls the Rain' is perhaps Edith Sitwell's greatest poem. Maconchy set the poem for double choir, unaccompanied, with some antiphonal writing. The recurrence of the phrase 'still falls the rain'...

For unaccompanied double choir SSAATTBB.

John Tavener's 1986 setting of the Lord's Prayer for SATB choir unaccompanied. The piece is presented twice, with texts in English and Church Slavonic, and the structure is one of a bar-less rhythmic...

A work for unaccompanied SATTBB choir, constructed in the form of a Byzantine Canon. The work was commissioned by James Lancelot and the Choir of Durham Cathedral who gave the first performance on the...

Tavener's 1987 work for unaccompanied SATB choir. Includes piano accompaniment for rehearsal purposes. This is a special item which is made to order. Please e-mail our Mail Order Department for furthe...

These two pieces for unaccompanied SATB choir were commissioned by Stephen Cleobury and the Choir of King's College, Cambridge. They were first performed in King's College Chapel on the 4th April 1987...

Sea Runes is scored for unaccompanied choir AATBBB or SATBBB set to text by George Mackay Brown. It is a haunting and evocative setting of a group of six poems by the Orkney poet, George Mackay Brown...

A work for 13-part unaccompanied SATB choir, with words by William Blake and music by John Tavener. The Tyger was written for Philip Sherrard for his 65th birthday. It was composed in Katounia, Greec...

A piece for unaccompanied SATB choir, the text of which is based on a line from St. Matthew 9:9. The music was written to represent the work of St. Matthew. In three mounting steps, the music represen...

This work for unaccompanied double choir (SATBSATB) was commissioned by the Summer Music Society of Dorset. It was first performed in May 1989 at Sherborne Abbey, Dorset, by the Tallis Scholars conduc...

For SATB Choir A Cappella. Edited by Patrick Little.

This work for unaccompanied SATB choir was commissioned for the opening of the 1990 City of London Festival. The performance was given on the 8th of July by the Choir of St. Paul's Cathedral conducted...

A Cappella for 28 Voices. First performed by the BBC Singers.

This motet for unaccompanied SATB choir was commissioned for the 500th anniversary of King's College, Cambridge. This is a setting in Greek of an Orthodox prayer to Christ as Son and Word, God and Man...

A carol for unaccompanied SATB choir by John Tavener, with words by Mother Thelka. This work was first performed in December 1989 at Westminster Abbey, London, by the Choir of Westminster Abbey conduc...