Partituras para coro mixto

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic...

Setting a text by Walter de la Mare, this tuneful, rhythmic choral work is infused with Scandinavian style. The poem is accompanied by extensive use of scat, giving a modern twist to the forlorn senti...

SATB and soprano solo, unaccompanied. This gentle and expressive carol provides a wonderful alternative to more familiar settings of this well-loved text. The music is harmonically rich, and the float...

Setting an original Latin text by the Venerable Bede intertwined with an English translation, this piece is homophonic and by turns ecstatic and calmly contemplative. It is particularly suitable for A...

This atmospheric piece sets a haunting secular text by Doris Kareva. In style it is contemplative with a clear, expansive melody, and Jackson skilfully conjures up a sense of the undulations of a ship...

Commissioned by King's College, Cambridge for the 2009 Festival of Nine Lessons and Carols, this beautiful carol sets a well-loved text by G. K. Chesterton. It would make an ideal introduction to Jack...

Setting the well-known text by Joseph Addison, The spacious firmament is a mysterious and powerful concert work. Bullard uses a variety of textures throughout the piece, from spacious, layered chords...

Solo tenor and SATB (double choir optional) unaccompanied. This is a vivid musical depiction of the colourful dreamscape created in Charles Bennett's text. The solo tenor floats over the soft, jazzy h...

For SATB unaccompanied This lively and uplifting carol sets a joyful fifteenth-century Christmas text by James Ryman. The music is rhythmic and powerful, with moments of rich and vibrant harmony offse...

SSAATTBB unaccompanied This is a truly beautiful addition to the Christmas repertory, setting a specially commissioned poem by Charles Bennett. The flexible metre creates a sense of movement, while th...

SATB with divisions unaccompanied This hauntingly beautiful setting of a text by Christina Rossetti is tonal and yet adventurous in its choice of harmony. This simple, slow piece ends on a wonderfully...

SATB & piano Don Michael Dicie has created a straightforward, unflashy but beautiful arrangement of Lowry's famous 'How can I keep from singing?'. Dicie departs from his typical harmonic style of majo...

This spiritual is short, simple, and crisply written. It takes a small amount of adventure as the harmonies employed are sufficiently different from each other throughout the work, but it still treats...

SSATB unaccompanied Harrap's inventive and dramatic setting of the well-known Eucharist hymn text provides a contemporary alternative to more familiar versions by Byrd, Mozart, and Elgar. In five unac...

SSATB unaccompanied This is an innovative yet accessible setting of the well-known Vespers hymn. A meditative rendering of the familiar plainchant is nestled within a lyrical setting of a verse from J...

SSAATB unaccompanied Rogier's Laboravi in gemitu meo is a deeply expressive setting of Psalm 6, verse 6. Featuring imitative entries, word-painting, undulating parallel phrases, and oscillating harmon...

As Joseph was a-walking is a beautifully serene and atmospheric setting of traditional words on the prophecy of Christ's birth as told to Joseph by an angel. With rich harmonies, striking chromatic mo...

Jackson's Cantus Maris Baltici ('Songs of the Baltic Sea') is a rich and imaginative setting of poems from each of the three Baltic countries. It displays innovative choral textures and is a rewarding...

This serene and reflective setting of the Magnificat and Nunc Dimittis was commissioned to mark the 300th anniversary of the death of Thomas Ken, Bishop of Bath and Wells. With expansive harmonies and...

Ruchill Linn sets a text by the Perthshire poet Robin Bell. 'Linn' means waterfall and the poem meditates on a still spring evening at dusk. The piece is illustrative, with aqueous, tumbling vocal fig...

This five-movement suite takes a light-hearted journey through different themes of love: Rejection, Parting, Falsehood, Contentment, Fulfilment. With contrasting vocal textures and a range of texts, t...

For SATB and organ or string orchestra This peaceful arrangement of James R. Murray's melody explores a different choral texture in each of its verses, from optional solo to SATB a cappella. The final...

This sophisticated, jubilant setting of a macaronic text by Kevin Crossley-Holland begins with an emphatic opening refrain before setting off on a sprightly dance through fluctuating 2/2 and 7/8 time...

For SATB and organ or chamber orchestra This is a rich and expressive setting of William Chatterton Dix's famous words. Opening with an elegant melody line for sopranos or tenors, it flowers into full...

Offprinted from Carols for Choirs 5, this exquisite setting of a familiar text by Isaac Watts has flexible scoring, with choirs encouraged to explore different options for each of the four verses. The...