Partituras para coro mixto

The famous words of Christina Rossetti and the music of Gustav Holst are beautifully set for a cappella voices by Jay Rouse. It begins with wind-like oo's, then followed by a more contemporary choral...

Utilizando la letra tradicional, "Que el camino se levante a tu encuentro", la creación a capella de Joyce constituye un emotivo cierre de concierto fácil de enseñar. Disponible: SATB a cappella.

With both an English and a Swedish text, this simple tune and comforting text are perfect for general church services or the concert stage. The melody is passed around from one voice part to another b...

Una divertida pieza sincopada de tipo espiritual para coro a capella. También hay una parte para un solo de soprano. Requiere un grupo completo, ya que todas las partes se dividen a veces. Un aplauso...

Simplified version for SATB Choir A Cappella.

For a cappella SATB voices, with text by Gerard Manley Hopkins. Includes piano accompaniment for rehearsal purposes.

The third in a suite of four, the text forms a requiem in miniature, with varied vocal textures and harmonies and dynamic contrasts. Performance time: approx. 5:30.

Jazzy arrangements of favourite folk songs from around the world. All nine pieces published for the first time in this collection Songs from French Canada, Andalucía, America, Japan, England, Northern...

Displaying Chydenius's unique style, I am the great sun is a driven and focused setting of Charles Causley's poem. This is textured choral writing: you'll find imitative passages, melodic and rhythmic...

para ATTBB sin acompañamiento El texto es del Eclesiástico.

para SATB (con divisiones) sin acompañamiento Esta obra sacra a capella es un himno alegre, escrito para la visita papal a la Abadía de Westminster en septiembre de 2010.

para SSATBB sin acompañamiento Un bello motete mariano a 6 voces sin acompañamiento escrito para el Marian Consort. La obra combina reminiscencias renacentistas de este texto con la distintiva voz con...

para SATB con divisiones, sin acompañamiento Esta es una composición sensible y edificante de un texto de Geraldine Atkinson, que murió trágicamente a los 24 años. La naturaleza reflexiva de la música...

para SATB (con divisiones) sin acompañamiento Jackson intercala eficazmente pasajes polifónicos sonoros para coro completo con texto hablado y motivos de ostinato murmurantes en tiempo libre.

SATB sin acompañamiento Este conjunto de Preces y Responses fue encargado por el London Festival of Contemporary Church Music para su festival de 2010. El trabajo es edificante, bellamente elaborado,...

para SATB (divisi) con 2 solos de soprano Esta atractiva pieza interpreta las Lamentaciones de Jeremías. Los pasajes superpuestos de música entre los solistas y el coro crean un efecto dramático, mien...

para SATB sin acompañamiento Una adaptación de la Misa en latín, escrita para el Coro de la Catedral de Truro.

Chilcott's Into God's Call is a tender setting of an Elizabeth Jennings poem. Melodically simple and rewarding, this piece is a straightforward introduction into double choir repertoire.

This setting was commissioned by the BBC Singers and premiered in April 2012. The text recounts the destruction of the ancient city of Jerusalem by King Nebuchadnezzar in 586 BC.

These Amens were written to fill a liturgical and musical gap in services where the prevailing style of the music is romantic. This is the first publication of the Amens in F and A, and the musical st...

Setting a text spoken by Nurse Edith Cavell on the eve of her execution in 1915 and re-fashioned by the poet Sean Street, McDowall has created a work of haunting beauty. It is equally suitable for fun...

Thou, my love, art fair' was written for The King's Singers and first performed by the group on St Valentine's Day 2015. Setting the William Baldwin poem, Christ to his spouse, this delightful song ma...

Setting a well-known poem by Percy Shelley, Love's Philosophy is a sweet and tender choral song reflecting on the idea of love with reference to nature and the interdependent relationships evident in...