Ah I see now, as I to the wedding bidden BWV 162

Cantata for the 20th Sunday after Trinity for soli (SATB), choir (SATB), corno da tirarsi, recorder, 2 violins, viola and basso continuo

2,50 €

IVA incluido., Más gastos de envío

Cantidad:

Johann Sebastian Bach

Ah I see now, as I to the wedding bidden BWV 162

Cantata for the 20th Sunday after Trinity for soli (SATB), choir (SATB), corno da tirarsi, recorder, 2 violins, viola and basso continuo

Johann Sebastian Bach
Ah I see now, as I to the wedding bidden BWV 162

Cantata for the 20th Sunday after Trinity for soli (SATB), choir (SATB), corno da tirarsi, recorder, 2 violins, viola and basso continuo

Formación Solistas (SATB), coro mixto (SATB), trompa, flauta de pico, 2 violines, viola y bajo continuo
Compositor Johann Sebastian Bach
Adaptador Masaaki Suzuki
Editor Frauke Heinze
Edición Partitura general de coro
Editorial Carus-Verlag
Nº de pedido CV31162-05

disponible en 2-5 días laborables

2,50 €

IVA incluido., Más gastos de envío

Escala de cantidades:
desde 40 Unidades 2,25 €
desde 60 Unidades 2,00 €

Cantidad:

Cantidad mínima de pedido: 20 Unidades

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Descripción de la:

Idioma: alemán inglés
Páginas: 2
Publicado en: 31.08.2016
Duración: 18:00
Dimensiones: 297 x 210 mm
Peso: 6 g
Opus: BWV162
Género: Clásico, Música clásica (época barroca)
Acompañamiento: Bajo continuo
ISMN: 9790007172251

The cantata for the 20th Sunday after Trinity. 'Ah! I see now, as I to the wedding bidden', BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a 'Corno da tirarsi', which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki.